Horror Business is good

Madison Square Garden has hosted countless concerts over the past decades, and this past weekend it featured a sold out punk rock show.

The Misfits held what is supposed to be the last of the shows billed as the “Original Misfits” even though only two original members are playing. The difference being original lead singer Glenn Danzig has returned to sing these old songs.

Few musical figures are as universally admired and detested by their own fans as Glenn Danzig. So much of what’s been publicized about him over the last few decades has painted him as an egotistical jackass. Shoving the singer of an opening band and deservedly getting knocked out for his trouble; going after photographers at shows, screwing over fans—take your pick of “Danzig is an Asshole” moments.

But no matter how much of a jerk Danzig may be, there is no denying the power and durability of Misfits songs. Only the Ramones harnessed more influence with three-chords. And while the Ramones helped launch the punk genre, the Misfits and Glenn Danzig’s subsequent bands have held tremendous sway over both punk and heavy metal. I had not seen the Misfits until this past weekend and I’ve played in Misfits cover bands for the past 15 years because the songs are great, easy to learn and very fun to play.

The “Original” Misfits held several shows throughout the U.S., including a sold-out show in Newark, New Jersey last year that required attendees to lock up their mobile phones during the show (plenty of photos and videos of the show made their way online).

Tickets to the Madison Square Garden show cost upwards of $250 in some instances. I managed to get a ticket the day of the show in an upper tier seating level for under $100 (listed as $61 on StubHub and came to $85 after fees). The bill also featured two very prominent punk rock bands: The Damned, one of the first-generation punk rock bands from the U.K., and Rancid, a very popular ska-punk band from California.

I found time to meet up with my friends Joey Bones from Green Hell, his friend Paul, and Xris from Team Spider and it was great to see them and talk music while we filled up on food and drink.

By the time we got into the Garden, The Damned were already playing. We went our separate ways as our tickets dictated and readied ourselves for an evening of punk rock.

The Damned were excellent and played all the songs people wanted to hear. Their set was tight and they were a lot of fun. They have been around, absent a few years hiatus, since the mid-1970s. “Not bad for a bunch of old cunts,” said lead singer Dave Vanian. “And we’re pretty good too!”

Rancid played next and ripped through a tight set of fan favorites. Tim Armstrong looks like the kind of Bowery drunk that never learned how to groom his beard, and lumbered around like he was about to fall flat on his face, but then he would play some sweet lead riffs and hit every note. Lars Frederiksen gave a nice shout out to some of his favorite New York hardcore bands, and watching Rancid’s bass player Matt Freeman play is almost worth the price of admission alone.

Punk rock wasn’t created in large venues. It was born from seedy clubs in New York and London at a time when the rock and roll featured in stadiums had become a bloated parody of itself. The kind of loud, in-your-face sound that punk perfected is difficult to reproduce in a venue as large as Madison Square Garden. The Misfits didn’t have the big sound I expected. The songs were tight enough (and much tighter than any old footage you find of them in the 1980s when they were generally sloppy live).

If I had not gone to see the Misfits, I would have regretted not making the effort. They played well enough that I left not feeling ripped off. We may not get a chance to see this lineup again, and the songs are as excellent now as they were when I first heard them.

Remember that almost every musician you see gloating onstage in a large venue has at some point hauled their own equipment into a shitty club to play for five people. Every aging rock star jackass in leather pants riding in a limousine at some point sat on the floor of a van for hours only to be stiffed by a shitty promoter in a city they didn’t know.

At some point the Misfits were nobodies from New Jersey playing loud and sloppy shows to few fans. No matter what lawsuit-driven stupidity brought us these Misfits shows, none of this would matter if the songs they created were not amazing.

All the skulls and spooky theatrics can’t carry you if your songs aren’t good, and Misfits songs are excellent and have stood the test of time. While the “Original” Misfits are an imperfect echo of a past time, Misfits songs are a loud jolt of energy and fun for a world that needs it.

 

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One response to “Horror Business is good”

  1. Paul says :

    Awesome! I enjoyed reading that!

    Like

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