The old adage of “vote early and often” is at least half true now in New York City, as the city has instituted early voting this year. This past Saturday the 26th was the start of an early voting period leading up to the Tuesday, Nov. 5 election day.
The last few election cycles have shown us that no corner of the country is immune from serious voting issues. The mid-term election of 2018 was the first time I saw this voting chaos first-hand in the five boroughs. I voted early in the morning, when there are usually fewer people around and voting should be smoother, and there were already difficulties handling the moderate numbers at the polling station. That only got worse as the day wore on, and reports of long line and other logistical issues were crossing the wires by midday.
The mess of the 2018 election caused a series of reforms in New York City around voting, one of them being instituting early voting.
Early voting has been a solution adopted by other states. It encourages participation as many people who work (just about every single voter) often find it hard to take time off during a busy workday to vote, and this has become increasingly difficult as larger turnouts have overloaded polling places across the country. It’s an idea that is long overdue in being implemented, and many states began making this change in the wake of the 2000 presidential election difficulties. Early voting is friendlier to working families and make it more difficult for voter suppression tactics to rule the day. It also helps reduce some of the voting chaos by alleviating some of the crowding of Election Day.
It is wise to start early voting this year. Whatever goes wrong can be corrected in time for next year, an election year that promises a very large turnout. This is not a big election year in New York – there are no Congressional seats up for a vote, a special election for one City Council seat, and only one city-wide election for public office (for Public Advocate), as well as a smattering of ballot initiatives that rarely generate significant turnout or excitement.
So far there have been two major kinks in the city’s early voting: 1. In many cases the early voting place is not in the same place as the regular polling stations, and this has not been widely explained. 2. Some early voting locations that are located in schools gave those schools very short notice that their gyms or cafeterias were going to be off limits for a few days.
Another shortcoming of the early voting so far is the notices sent to voters. Usually the city sends a document that includes a detachable card that has all the relevant voter information on it: where to vote, what district you are in etc. The card sent before early voting has none of this, but does have a scan-able bar code on one side.
In a democracy, voting is a serious obligation for people who wish to remain free. The ballot box is our first defense against tyranny, our first step in making change, and the ultimate check and balance for people in power to be held accountable. By giving us more time to do it, this important duty is easier to execute. Whatever the faults of the city’s first attempt, it is a noble attempt and deserves our support.
Madison Square Garden has hosted countless concerts over the past decades, and this past weekend it featured a sold out punk rock show.
The Misfits held what is supposed to be the last of the shows billed as the “Original Misfits” even though only two original members are playing. The difference being original lead singer Glenn Danzig has returned to sing these old songs.
Few musical figures are as universally admired and detested by their own fans as Glenn Danzig. So much of what’s been publicized about him over the last few decades has painted him as an egotistical jackass. Shoving the singer of an opening band and deservedly getting knocked out for his trouble; going after photographers at shows, screwing over fans—take your pick of “Danzig is an Asshole” moments.
But no matter how much of a jerk Danzig may be, there is no denying the power and durability of Misfits songs. Only the Ramones harnessed more influence with three-chords. And while the Ramones helped launch the punk genre, the Misfits and Glenn Danzig’s subsequent bands have held tremendous sway over both punk and heavy metal. I had not seen the Misfits until this past weekend and I’ve played in Misfits cover bands for the past 15 years because the songs are great, easy to learn and very fun to play.
The “Original” Misfits held several shows throughout the U.S., including a sold-out show in Newark, New Jersey last year that required attendees to lock up their mobile phones during the show (plenty of photos and videos of the show made their way online).
Tickets to the Madison Square Garden show cost upwards of $250 in some instances. I managed to get a ticket the day of the show in an upper tier seating level for under $100 (listed as $61 on StubHub and came to $85 after fees). The bill also featured two very prominent punk rock bands: The Damned, one of the first-generation punk rock bands from the U.K., and Rancid, a very popular ska-punk band from California.
By the time we got into the Garden, The Damned were already playing. We went our separate ways as our tickets dictated and readied ourselves for an evening of punk rock.
The Damned were excellent and played all the songs people wanted to hear. Their set was tight and they were a lot of fun. They have been around, absent a few years hiatus, since the mid-1970s. “Not bad for a bunch of old cunts,” said lead singer Dave Vanian. “And we’re pretty good too!”
Rancid played next and ripped through a tight set of fan favorites. Tim Armstrong looks like the kind of Bowery drunk that never learned how to groom his beard, and lumbered around like he was about to fall flat on his face, but then he would play some sweet lead riffs and hit every note. Lars Frederiksen gave a nice shout out to some of his favorite New York hardcore bands, and watching Rancid’s bass player Matt Freeman play is almost worth the price of admission alone.
Punk rock wasn’t created in large venues. It was born from seedy clubs in New York and London at a time when the rock and roll featured in stadiums had become a bloated parody of itself. The kind of loud, in-your-face sound that punk perfected is difficult to reproduce in a venue as large as Madison Square Garden. The Misfits didn’t have the big sound I expected. The songs were tight enough (and much tighter than any old footage you find of them in the 1980s when they were generally sloppy live).
If I had not gone to see the Misfits, I would have regretted not making the effort. They played well enough that I left not feeling ripped off. We may not get a chance to see this lineup again, and the songs are as excellent now as they were when I first heard them.
Remember that almost every musician you see gloating onstage in a large venue has at some point hauled their own equipment into a shitty club to play for five people. Every aging rock star jackass in leather pants riding in a limousine at some point sat on the floor of a van for hours only to be stiffed by a shitty promoter in a city they didn’t know.
At some point the Misfits were nobodies from New Jersey playing loud and sloppy shows to few fans. No matter what lawsuit-driven stupidity brought us these Misfits shows, none of this would matter if the songs they created were not amazing.
All the skulls and spooky theatrics can’t carry you if your songs aren’t good, and Misfits songs are excellent and have stood the test of time. While the “Original” Misfits are an imperfect echo of a past time, Misfits songs are a loud jolt of energy and fun for a world that needs it.
In early March of 2000, I found my way from Ozone Park to Sunnyside, Queens, for the inaugural St. Pat’s for All Parade. The parade was unique because it welcomed LGBT groups to participate. Most other St. Patrick’s parades at the time did not.
It was the first St. Patrick’s parade I marched in, representing a human rights group that monitored the contentious marching season in the North of Ireland. The parade included many of the standard Irish groups and local politicians but also featured an LGBT marching band, a traditional Korean dance troupe, and other organizations that are not strange in Queens but do stand out in a St Patrick’s Day parade. The parade gathered news coverage (Hillary Clinton was there, running for Senate) and a few religious protesters upset that St. Patrick’s name was being use to make friendly with the gays.
During the march, I noticed a Catholic priest in a brown robe shaking hands with people aside the parade route. Oh no, I thought to myself, what litany of lies did the parade organizers tell this poor priest to get him here? He’s going to have a heart attack when he sees the gay marching band.
But that priest did not have a heart attack upon seeing the gay marching band. The priest was Father Mychal Judge.
Father Judge is most famous for being the New York Fire Department chaplain who perished in the September 11 attacks; he is listed as the first official casualty of that day. But long before his untimely death, Father Judge was a bridge between the multitudes of New York communities. At a time of increasing hostility between the Catholic Church’s leadership and LGBT groups, he made it part of his mission to minister to gays and lesbians and people with AIDS. He was dedicated to helping the homeless and people suffering drug and alcohol addiction, and he led a peace mission in Ireland. Few others would have been able to shake hands with cross-wielding protesters and break bread with a gay marching band on that same morning in Queens.
In his last homily, delivered the day before he was killed at the World Trade Center, he spoke to firefighters in The Bronx. He spoke about the unpredictable nature of life and how everyone has their part to play, that each one of us has a place.
“That’s the way it is. Good days. And bad days. Up days. Down days. Sad days. Happy days. But never a boring day on this job. You do what God has called you to do. You show up. You put one foot in front of another. You get on the rig and you go out and you do the job – which is a mystery. And a surprise. You have no idea when you get on that rig. No matter how big the call. No matter how small. You have no idea what God is calling you to. But he needs you. He needs me. He needs all of us.”
September is freshly ended and with it, most of the commemorations of the September 11 attacks. One of the best traditions, the Stephen Siller Foundation Tunnel to Towers 5k, is held the last Sunday in September.
On a rainy October evening, I was making my way home from midtown after a long workday. A fire engine was driving down the street and was stuck at an intersection of 6th Ave. and 31st Street. Despite having the right of way, the firefighter at the wheel waved pedestrians across.
I discovered I was crossing Father Mychal F. Judge Street, a segment of West 31st that runs past his church, St. Francis of Assisi. It was named in his honor in 2002. FDNY Engine 1/Ladder 24 station is nearby. It would have been disrespectful to ignore the sign and continue on with the regular rush of the afternoon commute. I stepped out of people’s way and took a photo of the sign.
There are few New Yorkers who represent the resiliency and humanity of our city the way Father Mychal Judge did. His sacrifice has special meaning for firefighters and those who lost loved ones in the September 11th attacks, but the life he lived symbolizes the best of us and serves as an inspiration the world over. It always will.
Capturing the New York punk scene better than anyone since the death of Lester Bangs is The New York Waste, and picking up the Waste is a must. When I first started reading it almost two decades ago, it introduced me to the best punk rock bands on the scene at the time. It featured cool photos of the Lunachicks and the Toilet Boys and the Bullys, awesome mention of The Spunk Lads and others. Paging a little farther, what did I find but ‘Last in Line for the Gang Bang, a comic biography of G.G. Allin.’
For those unaware, G.G. Allin was a punk rock musician infamous for his violent and obscene performances. He may be better known today as his legend has grown with retellings of his stories and the admiration of musicians who have broken into the mainstream. But in the early 2000s, only a select and disturbed few were allied in their admiration of the late self-described “scumfuck.” (Insider’s note: despite his violent habits, G.G. Allin was a gifted songwriter who left a prolific legacy of excellent punk rock and country music before his untimely end at age 36 in 1993.)
So the fact that someone was producing a comic strip serial biography of G.G. Allin bowled me over. That such an awesome artistic endeavor was underway and had an audience getting it free through the New York Waste made me realize I had found a great home in the punk scene of New York. The Big Apple became a little less lonely knowing that there were other sickos out there.
Discreetly inked into the margins of every comic strip was a web site address for a local punk rock band, World War IX. The band’s guitar player, Justin Melkmann, was the talented cartoonist documenting G.G. Allin’s life.
At the same time, I began looking to start my own punk rock band, and was soon working on original songs with, as the luck of the Internet would have it, Bruce Steinert from the band Buzzkill. We needed a singer.
“I’m friends with a guy who our band would play with back in the day in New Jersey. He used to do things like take bloody meat out of his pants and throw it at the audience,” Bruce mentioned at rehearsal, speaking of the New Jersey band Daisycutter.
“That sounds like our guy,” I said. “Call that guy.”
Soon afterwards, Seth Amphetamines entered the picture and became the singer of what would be Blackout Shoppers. There are not too many people who can command a stage and make the entire venue the center of punk rock chaos in the way that Seth can, and that’s a good thing. It’s an acquired skill to engage with the audience in a mosh pit with great passion without creating lasting hostility or becoming one of the bogus tough-guy copycats that have created so many boring hardcore bands over the last few decades.
Seth is the only singer I’ve seen who has gotten members of the audience angry enough to throw beer cans at him only to have them share beers afterwards. Whatever violence he dishes out is in without hate or malice, and in sincere appreciation of old school hardcore punk.
I went to see World War IX at CB’s basement, which was part of a still-existent CBGBs at the time (where Blackout Shoppers would play its first show in a complete fluke later that year), and introduced myself to Justin. He was glad to meet someone who enjoyed his comic and we vowed to stay in touch.
Not soon afterwards, World War IX and Blackout Shoppers played the first of many shows together. It’s an alliance that has lasted about a decade and a half. We’ve put out a split seven-inch record together. Blackout Shoppers’ guitar player Mike Moosehead now plays in World War IX, and World War IX’s drummer Johnny Special K has filled in on drums for Blackout Shoppers. Blackout Shoppers came back from an official hiatus at a show where World War IX bid farewell to its singer Philthy Phill. It’s an incestuous bouillabaisse that only works in punk rock or among inbred Mormon fanatics, and we love it.
This month, both Justin and Seth turn 50, and the bands are celebrating with a show together at Otto’s Shrunken Head, one of our favorite places to play. It will be an evening filled with alcohol, music and good times. Please join us.
This weekend was a typical blur for a person with an office job and small children. There was per usual a mountain of house chores to do, events to take the children to, and hours of each day dedicated to the day job, as our day jobs spread their tentacles into every aspect of our lives. On top of that add grocery shopping.
Sunday I took one of my daughters with me while we went grocery shopping. She helped me find things in the store and took pride in helping me load things into the cart. We navigated the crowded aisles and found everything on our list (with some extra popcorn and coffee thrown in for good measure).
We were running down the clock toward dinner time and I knew I had a full wagon of groceries to get upstairs and away before either I or my wife had to make dinner.
We made good time and were parked outside our building a few minutes after I had returned our shopping cart. I sat at the driver’s seat for a few minutes, trying to calculate in my head the things I needed to accomplish in the next few minutes: getting my daughter out of her car seat, loading up the groceries, cleaning out part of the car quickly between those two steps, getting the groceries away, making dinner, getting logged back in at work—
“Daddy, look at the sunset,” my daughter told me.
Through the trees and the power lines and shadows of nearby buildings, a patch of brilliant dusk sunset filled the sky with its pastel vision. It had been there the whole time, going unappreciated by me.
It was a testament to the excellence of children. They have not had years to become jaded or distracted with the compounded stresses of the mundane. It was a reminder of how grateful I ought to be for my family and my life.
When we think of New York’s beauty we usually picture its stunning skyline, its aged paving stones and its tributes to achievement wrought in stone or glass; the urban landscape is beautiful but almost always bears the mark of a human hand. Even the most gorgeous parts of our most popular parks were put there by design.
This outlook often neglects the natural beauty that surrounds, us, and the fiery sky of an autumn sunset has few rivals of natural scale in our Gotham’s vision.
And so often in the execution of our ambitious dreams, the wonder of life itself gets lost in the shuffle. Having kids won’t bring the same reward if we can’t pass on an appreciation of beautiful things. Without the ability to stop and look at the greatness around you, are we succeeding in life at all?
I opened the passenger door so my daughter could get a better look at the brilliant sky, and took a photo so I could remember this and show her later. I made a silent vow to remember our sunsets, and make the time to take in the natural beauty that surrounds us, even in the densest cityscape.
Earlier this summer, I arrived home late on a Friday night—late these days meaning after 8 p.m.—and was taking things out of my pockets after a long day. When I reached into my right front picket, I came to the realization that I did not have my wallet. My stomach tied in knots and I cried out in frustrated desperation. I knew it had been in my pocket; there would be no deus ex machina miracle of finding it in my bag or in another pair of shorts.
I knew that it most likely fell out of my pocket on my commute home. I had just gotten off the express bus—this bus was still on the road and someone could radio the driver! I immediately picked up my smart phone and dialed 311 for citywide information. The 311 operator would be able to connect me to the right person. The 311 operator transferred me to 511, which is the information number for the Metropolitan Transportation Authority (MTA).
After a few more transfers, I spoke with someone I was told could help me. I gave them all the information I had. I was on a QM20 bus and was picked up from 6th Avenue and 42nd Street in Manhattan at approximately 8:40 p.m. and was dropped off at Union Street and 26th Avenue in Flushing, Queens at approximately 9:30 p.m. This driver was probably still on their route and with the information I had given them someone should be able to get in touch with the driver ASAP!
But no such luck. The person on the other end of the line said they could not do anything unless I had the bus number. Without the bus number, they could not contact the driver. Seems a bit ridiculous. If this had been a more serious situation and people’s lives depended on finding the bus, there would have been a catastrophe.
I was asked to call back the next day after the bus had gone back to the depot and the driver may have turned in the wallet. It was a small wallet, one that held only cards. I was not out any cash, unless someone was going to town with my debit card.
I started to call credit card companies and my bank to have holds put on cards.
The next day I called the depot. Nothing.
I called back the next day, and called back later in the day again. Nothing still.
I went through with canceling and replacing my credit cards and ATM card and replacing my driver’s license.
By Monday, there was no funny business on my cards and new ones were on the way. I printed out a temporary driver’s license and ordered a new card wallet that came with a money clip. My card wallet needed replacing anyway, and this was a chance to pare down the stuff I carried with me everywhere.
A few weeks later, the same day my new driver’s license arrived in the mail, a notice from the MTA Lost & Found arrived in the mail.
“An article which contains your name and/or contact information was found and turned in to the MTA NYC Transit Lost Property Unit,” the notice began. It instructed me to report to the unit’s office at the 34th Street subway station at 8th Avenue in Manhattan. If I did not claim my property by Nov. 3, “it will be deemed to have been abandoned and you will have forfeited your right to claim it.”
The next day I brought that notice and my newly replaced driver’s license to a hidden-in-plan-sight pocket of the 34th Street subway station in Manhattan. It took some searching and asking to find the lost and found office, which is beneath the tracks of the A, C, E subway lines and without any signs leading you there except in the immediate vicinity. It’s within the subway system, so if you arrive by some other means or exit the subway before you find it, you’ll have to spend another subway fare to reach it or get a helpful MTA worker to let you in.
A small sign points the way to a set of double doors painted in celebration of the many objects found in our transit system. The office is open odd hours—and completely closed weekends and holidays, a travesty in a system that runs 24 hours—but luckily is open until 6:30 p.m. Wednesday and Thursdays.
Inside is a small room with a very low ceiling. I’m five feet eleven inches with my shoes on, and if I had extended my arm fully above my head I would have punched a hole in the drop-down ceiling. There is a metal bench to sit on, a small counter to stand and fill out paperwork on, two old-looking computer terminals, and a thick window above a pass-through door through which one may conduct business with the MTA workers on duty.
I arrived as a worker emerged from another set of doors to hand someone some paperwork, and she took my notice and ID and disappeared in to the bowels of the lost and found. The woman who was there spoke to someone at the window and was told to check back about her property later. She left and another woman arrived to ask if a book she lost on the subway was found. She was told no and to check back later; she left. Another man arrived and looked through his paperwork to check on a claim, and while he was speaking with someone another woman arrived to check on some property she had reported missing.
A worker arrived at the thick window with my wallet. It was a different worker than I had given my notice to; it was a rotating staff of workers answering questions and handling forms. He told me to sign my name on another form and write my address the same way it appeared on the notice in the mail. He opened the door to the silver box under the window and placed a clip board inside, and when he closed his door I opened mine and filled out the form.
A minute later, the same exchange reunited me with my wallet. It looked a little worse for wear, but nothing was missing. Everything was there: my license, my ATM card, my MTA MetroCard, even the coupon for a t-shirt at the zoo. I excitedly took an inventory of my wallet while my fellow transit visitors looked on amazed.
“You give me hope,” said the young woman sitting on the bench, hoping her property would be returned.
I thanked the worker and wished the other people in the office good luck, and went back out into the bustling station. For me, lost and found had worked out well.
Thank you to the Good Samaritan on the bus who turned in my wallet, and the series of honest MTA workers that made it possible for me to get my property back. For me the stars aligned this time.
A few weeks ago, my band was fortunate enough to be asked to play music in Tompkins Square Park. The four of us arrived punctually (an impressive feat for an old-school punk rock band like ours).
The sun was blazing but standing in the shade brought sound respite. Having consumed copious caffeinated beverages in transit, I headed for where I knew the public restrooms were located.
The men’s room was locked. A nearby restroom was marked for use only by children. It was also locked. Park workers admonished men looking to use the boys’ restroom, and referred people to the closed men’s room even after being told it was locked. A Parks Department employee told me to use bathrooms at a nearby Starbucks or 7 Eleven, and acted as if she were doing me a favor.
Nearby on Ave. A and 9th Street, there was not a Starbucks or 7 Eleven in sight. Doc Holliday’s was open though.
Even though I long ago left the drinking life, I had the good fortune to drink at many of New York’s most excellent bars before I did. Doc Holiday’s is one of the East Village’s surviving dive bars that did not sell out or lose its character, and has stayed the same quality dive bar that it was meant to be.
As the name implies, Doc Holliday’s could be called a country bar. While by that measure it could easily be lumped in with other “country” bars such as the now-defunct Hogs & Heifers, it’s a bit more subdued and nowhere near the same kind of tourist mecca. It may be a far cry from where David Allen Coe would drink (if anyone knows where David Allen Coe goes to drink when he’s in New York, please tell me), but it’s the closest thing to a country dive bar surviving in the city today.
When a cheesy movie came out about rival bar Coyote Ugly in 2000, Doc Holliday’s celebrated the fact that its name was not associated with such a flop. They had several drink specials and posted scathing movie reviews of Coyote Ugly on the walls of the bar.
For a while when I worked in SoHo, I would bring coworkers to Doc Holliday’s for beer—after the after-work beers we had at work, of course, and it never disappointed me then. I would be one of the last of my party to depart, stepping strongly buzzed into the bright twilight of a New York Friday night, ready to conquer the world some more.
About 10 years later, when I decided to leave the bogus “secret restaurant” located in Crif Dogs rather than take off my hat, I went to Doc Holliday’s where friends were waiting. Three boroughs and many, many drinks later, I made it through that night with few memories but few regrets.
But now I was returning to Doc Holliday’s as someone gone from the drinking life nearly a decade, a frustrated park goer unable to find a decent bathroom. Would I be welcome back to this hallowed place where I had spent so much quality time in the past?
The bartender was chatting with three people at the bar and the place was otherwise empty. There was no crowd to blend into if I pretended to be a customer. She looked to me, expecting me to order a drink. I decided to come clean and admit I was there just to go to the bathroom. I explained my situation to the bartender. Could I use their bathroom?
The bartender told me yes and thanked me for asking. I walked back to where the bathrooms were to find that Doc’s had done some remodeling and the restrooms were not in a state of filthy disrepair. By dive bar standards the new men’s room was pretty luxurious. I left a five-dollar bill on the bar in my way out and got a friendly smile.
I returned throughout the day and was warmly greeted. It was good to be welcome and enjoy the dive bar scene again. Even removed from the drinking life, our bars are cultural markers that can offer a guide to the state of society. Doc Holliday’s confirms there are some pockets of righteous goodness left in our city.