January 4, 2010 is the day I mark has having had my last drink of alcohol. It might have been a day or two earlier than but four is a lucky number for me and I decided to set that as the date. This past Jan. 4 marks a decade since I’ve had a drink.
The time went by quickly. Since 2010 a lot has happened. I got married and had children. I left journalism and “went over to the dark side” of public relations. Could I have done those things if I had still been drinking? I don’t know.
I am confident that stopping drinking was the right thing for me, but quitting drinking was not some massive and sudden wonderful change. There’s no magic transformation that turns someone instantaneously from a pathetic drunk to a charming success. All of life’s frustrations are still there, and the warm confidence that comes with drinking is now gone.
And while it’s worked for me, the non-drinking life is not for everyone. I think even people who have problems with drugs or alcohol don’t necessarily have to quit completely. There’s a middle ground that most of the world can navigate. One of the signs that I needed to stop drinking was when I was bowled over at my ability to have only one single beer at a punk rock show I went to. I caught myself as I was glowing in a self-congratulatory mood on the walk to the subway from Trash Bar—uh, actually, this is what most of the world is able to pull off every day!
Quitting drinking wasn’t something I did on a whim or at the spur of the moment. I had been thinking about it for a long time. I had taken long breaks from drinking, sometimes as long as three months at a time, to show myself that I could do it. When I first quit, I only gave myself the goal of stopping drinking for one year. Only after one year without alcohol did I decide to officially bid goodbye to the drinking life.
The drinking life had been a fun one. I’d be the worst kind of hypocrite to rage against drinking since I was an absolute maniac with booze for the better part of two decades. I have good memories from those times and made many great friends over rounds of drinks, I can’t just throw all of that away. I can still be around people who drink; I just don’t. I won’t create a new identity or try to reconfigure my entire life because I don’t drink any more – that would truly be giving alcohol power that it doesn’t deserve.
But it got to the point of not being fun anymore. I would ponder and plan out how I was going to approach a night of drinking and then all my well-intentioned plans of moderation would go right out the window. I was tired of waking up with long gaps in my memory, incredibly hung over, and realizing I had spent twice the amount of money I wanted to. I had no one to be angry at but myself, and my weekend mornings regularly began with waking up to this miserable, impotent rage.
There were some moments that stand out in my decision but thankfully no major disasters. I miraculously never got arrested for drunk driving while in college, no major bar fights or major accidents litter my beer-fueled past. But slowly the magic of the alcohol began to wear thin and not work as well anymore. And all the things I felt I need to drink to enjoy—dating women, going to concerts, playing music, reveling in the creative act that drives us to joyful madness—these were all things I was supposed to be enjoying anyway, and if I needed to be drunk to enjoy them, maybe I was on the wrong path.
So I went ahead and quit drinking on my own, though I did read a book that was helpful in my first year of not drinking. Drinking, A Love Story by Caroline Knapp is an impressive memoir and I highly recommend it if you are questioning your drinking. A lot of what she described as signs of having real drinking problems was very recognizable, and it provided the well-researched bulwark that helped me decide that I was on the right path in putting booze aside.
In her book, Knapp quits drinking after joining Alcoholics Anonymous, and the Alcoholics Anonymous route is one I decided to avoid at all costs. Alcoholics Anonymous wallows in pathetic victimology and peddles its soft-core religion incessantly. Furthermore, many people I know who joined AA have come back to drinking. If AA is the only alternative to drinking yourself to death, have at it, but the success rate is low and its philosophy teaches weakness.
The past 10 years have been filled with a lot of ups and downs, and I’m glad that I experienced them without the hazy filter of alcohol, which for me had become a sad crutch. If the magic dies, don’t be afraid to move on. If I can do it, so can you.
Two Toms Restaurant in the Gowanus section of Brooklyn announced in October that after more than 70 years in business, it is going to close its doors at the end of this year.
Founded in 1948, Two Toms is an institution unlike any other restaurant that is open to the public. It’s a modest and understated very simple dining room in a relatively narrow space, with a street-facing entrance in the front and a kitchen in the back. The food is outstanding and often served family style in large groups, at least that is their specialty. I’ve seen regular tables order off a menu there. But every time I’ve been there it’s been a large meal with several courses.
An Italian restaurant with great pasta and shrimp parmesan among other dishes, it’s most famous for its pork chops, that are enormously thick and juicy and will count as one of the most memorable meals you ever have. I rarely take photos of food, but I had to stop and take a photo of my meal while I was working on one of the pork chops there last year.
I became aware of Two Toms after meeting a group of friends for dinner there several years ago. The restaurant then was known mostly to locals and has a distinct following among law enforcement. My friend Poppy knew of Two Toms from his time working in Brooklyn with the NYPD and it became a regular spot for people we worked with at JFK Airport to hold meet up.
The several courses are conducive to long dinner conversations, the perfect setting for families and old friends. Its unassuming décor adds to its appeal. You are at home there. You can help yourself to beer or soda or bottled water from the refrigerator that is there in the dining room. You knew there was going to be another amazing course coming soon. You didn’t have to worry. Everyone was going to have a good time, and no one was leaving hungry.
When Two Toms owner announced in October that the restaurant would be shutting its doors at the end of the year, its many fans were in shock and jumped into action. Loyal customers flooded the restaurant with so many reservations they began opening extra days and even still they were quickly booked through the end of the year.
My group of friends that took to meeting at Two Toms worked to get a gathering together, but by the time I called to make a reservation, all bookings were gone. I asked the woman I spoke with on the phone to please let me know if any openings at any time for any number of people would be available—if the usual group couldn’t make it at least a few of us would be able to give a final farewell to the place. Social media is alight with tributes pouring in, and legions of New Yorkers who managed to get a reservation are paying their respects.
Two Toms achieved a devoted following because it does what it does best simply and without pretention. It doesn’t boast a celebrity chef or change its menu to some trendy fusion to match the hip flavor of the month. It also refuses rest on its laurels and scream to the world about how long it has been around either. It has stayed true to its roots and has never let up.
New Yorkers will continue to search for the kind of honest authenticity embodied by Two Toms and we owe the legendary eatery a debt of gratitude.
Thank you, Two Toms!
A high school friend of mine worked as a successful lawyer for roughly the past two decades. He won a great ROTC scholarship in high school. While in the U.S. Army, he went to law school. After serving in the U.S. Army’s Judge Advocate General Corps, he worked as an attorney for the Department of Defense before going into private practice law.
But change has come. My friend gave up the life of an attorney to chase his dream of being a radio D.J.
“Because terrestrial radio is such a big thing now,” he joked.
Today commercial radio is a ghost of its former self while music streaming services dominate music landscape. But people still do make a living as radio D.J.s, why shouldn’t he? He took classes at a local broadcasting school and has managed to cobble together an income from various sources—a few nights hosting a lotto drawing here, running a bar trivia night there, he’s not homeless or starving.
Another friend also took a similar plunge, working in comedy and going for broke. Show business is a brutal and heart-rendering business that leaves some its most earnest and talented people out in the cold. My buddies have no illusions they face an uphill battle, and I couldn’t be more proud of them.
I yearn for the courage that my friends have shown.
I moved back to New York for several reasons, but one of them was to seek fame and fortune and become a great American writer. We writers are a hopeless romantic lot, even those of us that like to paint ourselves as curmudgeons. Even the most anti-social hermit scribbling away in obscurity harbors dreams of being the stuff of book covers and bookstore postcards someday. Any writer that tells you they do not dream of somehow writing themselves into immortality is a liar. Like all artists, we hope our work will live after us and testify to the improbable infinity that we lived.
One of the problems with creative people is that many of us spend more time dreaming and pondering than working at our craft in a way that is productive. We have overly romanticized notions of what our craft is, that it somehow exists in a sphere outside of the normal marketplaces and human conditions. Crash landing into the realities of business and the arts is a hard thing, but the worthwhile things are always hard.
I am in the same boat with so many hopeful others. My dreams have tempered a bit. I will settle for not being the next Jack Kerouac or William Faulkner, but I still hope to make a living creatively, by doing work that is creative, artistic in nature or at least taps into my talents to write about things that I find legitimately interesting.
I am very lucky in the life that I have. I have a great family and group of friends; my health is good; I can say with confidence I will go to bed tonight with food in my stomach and a roof over my head. And yet, there is the dream I must still chase. I’m not low on ambition, but on direction and focus.
Despite all the reasons to be jaded and negative, I live with the confidence in my own creativity and the ability of New York to feed our greatest ambitions. Wish me luck and hard work.
Citizens voiced criticism of the police when a woman selling churros was handcuffed by NYPD officers at the Broadway Junction station in Brooklyn.
The police said the vendor had been issued several citations and had refused officers’ orders to move. Also, the vendor was not officially arrested, but briefly handcuffed and issued a citation. Whichever way you cut it, “the optics” as we say in the public relations world, were bad.
In the scale of subway scofflaws and annoyances, the Spanish-speaking women selling churros don’t register at all. The churro ladies usually stay out of the way of foot traffic and sell delicious homemade treats at a good price. They don’t loudly beg for money from strangers or drag their carts through crowded subway cars at rush hour.
Why aren’t the police clearing out the homeless who can render entire subway cars unusable? Why aren’t we seeing more photos of the brain-addled aggressive panhandlers being put in handcuffs, or the people bringing bicycles or in some cases, motorcycles onto the subways being given the heave-ho by New York’s finest?
I get why the MTA wants to crack down on subway fare beaters, but they are avoiding the bigger, harder issues that makes a bigger difference in the deteriorating level of subway service that arouses the ire of straphangers.
Subway riders are furious because the subways are terrible. There are frequent delays and overcrowding on the subways, trains and buses that never show up, and service that is sub-par even when going according to plan. Almost all of the lines have outdated signaling systems that frequently stall trains and the MTA is decades behind replacing them. People have missed job interviews, meetings with loved ones, and even their own college graduations because the MTA’s inexcusable performances.
The transit system has singled out the people who jump the turnstiles and don’t pay their fare as a major issue to be addressed. Indeed the agency reported that these freeloaders could cost the system more than $300 million this year. Its approach to fixing this problem has been typically ham-handed. It spent money on signs and stickers telling people not to use the exit-only emergency exits to leave the subway, as it enables people to run in through the open door to avoid paying. Such a campaign could only be designed by people who don’t actually ride the subway. The subways need more exit-only gates. Taking up turnstile space to leave only stalls people who are rushing to get on a train. People who leave by the exit only gates and the emergency exits while people are trying to get in are doing the right thing. All these stupid stickers and signs do is flush money down the toilet that could be used for upgrading the system.
While fare beaters certainly do account for a major shortfall in the MTA’s budget, but it is small potatoes compared to the larger underfunding issues that require a political solution. It will be a hard-fought battle between the city and state governments, and will take years to make right. It will include unpopular tax increases.
No doubt there should be cost cutting. Why does track construction cost many times more in New York than anywhere else? Why are there thousands of no-show jobs on the books every time we want to build some new track in New York? Solving these issues of construction corruption and graft will go a long way to improving our transit situation, but it still can’t entirely address the funding gap.
This central funding question is the one the MTA needs to tackle first. Without adequate funding from New York State, all the other ideas are impotent half-measures that will drive more outrage than revenue.
Among the political headlines that screamed from the shameless ramparts of social media over the past few weeks, one news story that added to the four-year hate on Donald Trump was his switching his address to Florida from New York. It was a minor note that was lost in the partisan volleys regarding impeachment, with Trump complaining via Twitter that he has been treated unfairly by New York City and State leaders.
Donald Trump became a household name in the U.S. with his television show, “The Apprentice.” But New York has been familiar with Donald Trump much longer than the rest of America. For most of my adult life he’s been a tabloid figure, a willing mouthpiece for morning radio and other fodder for the endless chatter and ego jousting that hangs thick in the atmosphere of the city.
New York politicians were happy to take jabs at Trump’s repudiation of his home state. “Good riddance,’ said Governor Andrew Cuomo.
There are three reasons driving the move and Trump’s timing of it.
Distracts from the latest circus. Trump made the move during the week when several career, nonpartisan government officials were telling Congress about Trump’s conduct related to the Ukraine, the impetus for the current impeachment effort. Trump found an alternative instance to claim that Democrats were treating him unfairly, helping him construct the conspiratorial framework he’s hanging his entire anti-impeachment platform on: that the system is corrupt and everything is being driven by political machinations on the part of Democrats.
Helps with reelection in Florida. Trump did not win New York State and has little hope of doing so, but Florida is up for grabs and is a much needed piece of his reelection puzzle. His move aligns himself with the large population of transplants who fled to Florida from the Northeast.
Saves him money on taxes. This is probably the most important factor driving Trump to the Sunshine State. He’ll save significant money on taxes. New York State has a much higher tax rate than Florida, and if you can pick an official residence between the two, New York will lose out every time on tax considerations.
New Yorkers who don’t like Trump would like to disown him, and act as if he is some rare aberration who does not reflect at all on the five boroughs, but we can’t.
We can’t act like we’re the trendsetter and the capital of the world and then pretend that the leader of the free world, a native of our city, is somehow not a part of us. Yes, New York is more diverse and the focal point of a lot of worldly art and culture, but human nature doesn’t change, and New York is every bit as tribal and parochial as the rest of America. The partisan divide that creates ugly scenes across the country is present here also.
Landlords like Trump are slightly less revered than rats and muggers in New York. Trump’s rise in presidential politics is an indication of the complete dysfunction and utter detestability of our political class, not from any sheer genius on his part.
Atop of all the other controversies surrounding the Trump administration at the time, his moving his official residence to Florida is small potatoes. It was in the media for a day or two and wasn’t even the lead story those days; then it was gone. There are more important stories to chase during this absolutely bonkers administration, and political griping and standard tax dodging would just don’t fit the bill in these strange times.
No one can honestly say Trump is not a New Yorker. He’s one of us, and we can’t brush him off like yesterday’s news. The city helped create him; it was our tabloids that made him a celebrity and grew his name recognition for decades. It was our political leaders that constantly sought his donations and took their picture with him.
President Trump is thoroughly ‘Florida Man’ now, but he’ll always come stamped with the “Made in New York” label.
The old adage of “vote early and often” is at least half true now in New York City, as the city has instituted early voting this year. This past Saturday the 26th was the start of an early voting period leading up to the Tuesday, Nov. 5 election day.
The last few election cycles have shown us that no corner of the country is immune from serious voting issues. The mid-term election of 2018 was the first time I saw this voting chaos first-hand in the five boroughs. I voted early in the morning, when there are usually fewer people around and voting should be smoother, and there were already difficulties handling the moderate numbers at the polling station. That only got worse as the day wore on, and reports of long line and other logistical issues were crossing the wires by midday.
The mess of the 2018 election caused a series of reforms in New York City around voting, one of them being instituting early voting.
Early voting has been a solution adopted by other states. It encourages participation as many people who work (just about every single voter) often find it hard to take time off during a busy workday to vote, and this has become increasingly difficult as larger turnouts have overloaded polling places across the country. It’s an idea that is long overdue in being implemented, and many states began making this change in the wake of the 2000 presidential election difficulties. Early voting is friendlier to working families and make it more difficult for voter suppression tactics to rule the day. It also helps reduce some of the voting chaos by alleviating some of the crowding of Election Day.
It is wise to start early voting this year. Whatever goes wrong can be corrected in time for next year, an election year that promises a very large turnout. This is not a big election year in New York – there are no Congressional seats up for a vote, a special election for one City Council seat, and only one city-wide election for public office (for Public Advocate), as well as a smattering of ballot initiatives that rarely generate significant turnout or excitement.
So far there have been two major kinks in the city’s early voting: 1. In many cases the early voting place is not in the same place as the regular polling stations, and this has not been widely explained. 2. Some early voting locations that are located in schools gave those schools very short notice that their gyms or cafeterias were going to be off limits for a few days.
Another shortcoming of the early voting so far is the notices sent to voters. Usually the city sends a document that includes a detachable card that has all the relevant voter information on it: where to vote, what district you are in etc. The card sent before early voting has none of this, but does have a scan-able bar code on one side.
In a democracy, voting is a serious obligation for people who wish to remain free. The ballot box is our first defense against tyranny, our first step in making change, and the ultimate check and balance for people in power to be held accountable. By giving us more time to do it, this important duty is easier to execute. Whatever the faults of the city’s first attempt, it is a noble attempt and deserves our support.
Madison Square Garden has hosted countless concerts over the past decades, and this past weekend it featured a sold out punk rock show.
The Misfits held what is supposed to be the last of the shows billed as the “Original Misfits” even though only two original members are playing. The difference being original lead singer Glenn Danzig has returned to sing these old songs.
Few musical figures are as universally admired and detested by their own fans as Glenn Danzig. So much of what’s been publicized about him over the last few decades has painted him as an egotistical jackass. Shoving the singer of an opening band and deservedly getting knocked out for his trouble; going after photographers at shows, screwing over fans—take your pick of “Danzig is an Asshole” moments.
But no matter how much of a jerk Danzig may be, there is no denying the power and durability of Misfits songs. Only the Ramones harnessed more influence with three-chords. And while the Ramones helped launch the punk genre, the Misfits and Glenn Danzig’s subsequent bands have held tremendous sway over both punk and heavy metal. I had not seen the Misfits until this past weekend and I’ve played in Misfits cover bands for the past 15 years because the songs are great, easy to learn and very fun to play.
The “Original” Misfits held several shows throughout the U.S., including a sold-out show in Newark, New Jersey last year that required attendees to lock up their mobile phones during the show (plenty of photos and videos of the show made their way online).
Tickets to the Madison Square Garden show cost upwards of $250 in some instances. I managed to get a ticket the day of the show in an upper tier seating level for under $100 (listed as $61 on StubHub and came to $85 after fees). The bill also featured two very prominent punk rock bands: The Damned, one of the first-generation punk rock bands from the U.K., and Rancid, a very popular ska-punk band from California.
By the time we got into the Garden, The Damned were already playing. We went our separate ways as our tickets dictated and readied ourselves for an evening of punk rock.
The Damned were excellent and played all the songs people wanted to hear. Their set was tight and they were a lot of fun. They have been around, absent a few years hiatus, since the mid-1970s. “Not bad for a bunch of old cunts,” said lead singer Dave Vanian. “And we’re pretty good too!”
Rancid played next and ripped through a tight set of fan favorites. Tim Armstrong looks like the kind of Bowery drunk that never learned how to groom his beard, and lumbered around like he was about to fall flat on his face, but then he would play some sweet lead riffs and hit every note. Lars Frederiksen gave a nice shout out to some of his favorite New York hardcore bands, and watching Rancid’s bass player Matt Freeman play is almost worth the price of admission alone.
Punk rock wasn’t created in large venues. It was born from seedy clubs in New York and London at a time when the rock and roll featured in stadiums had become a bloated parody of itself. The kind of loud, in-your-face sound that punk perfected is difficult to reproduce in a venue as large as Madison Square Garden. The Misfits didn’t have the big sound I expected. The songs were tight enough (and much tighter than any old footage you find of them in the 1980s when they were generally sloppy live).
If I had not gone to see the Misfits, I would have regretted not making the effort. They played well enough that I left not feeling ripped off. We may not get a chance to see this lineup again, and the songs are as excellent now as they were when I first heard them.
Remember that almost every musician you see gloating onstage in a large venue has at some point hauled their own equipment into a shitty club to play for five people. Every aging rock star jackass in leather pants riding in a limousine at some point sat on the floor of a van for hours only to be stiffed by a shitty promoter in a city they didn’t know.
At some point the Misfits were nobodies from New Jersey playing loud and sloppy shows to few fans. No matter what lawsuit-driven stupidity brought us these Misfits shows, none of this would matter if the songs they created were not amazing.
All the skulls and spooky theatrics can’t carry you if your songs aren’t good, and Misfits songs are excellent and have stood the test of time. While the “Original” Misfits are an imperfect echo of a past time, Misfits songs are a loud jolt of energy and fun for a world that needs it.
In early March of 2000, I found my way from Ozone Park to Sunnyside, Queens, for the inaugural St. Pat’s for All Parade. The parade was unique because it welcomed LGBT groups to participate. Most other St. Patrick’s parades at the time did not.
It was the first St. Patrick’s parade I marched in, representing a human rights group that monitored the contentious marching season in the North of Ireland. The parade included many of the standard Irish groups and local politicians but also featured an LGBT marching band, a traditional Korean dance troupe, and other organizations that are not strange in Queens but do stand out in a St Patrick’s Day parade. The parade gathered news coverage (Hillary Clinton was there, running for Senate) and a few religious protesters upset that St. Patrick’s name was being use to make friendly with the gays.
During the march, I noticed a Catholic priest in a brown robe shaking hands with people aside the parade route. Oh no, I thought to myself, what litany of lies did the parade organizers tell this poor priest to get him here? He’s going to have a heart attack when he sees the gay marching band.
But that priest did not have a heart attack upon seeing the gay marching band. The priest was Father Mychal Judge.
Father Judge is most famous for being the New York Fire Department chaplain who perished in the September 11 attacks; he is listed as the first official casualty of that day. But long before his untimely death, Father Judge was a bridge between the multitudes of New York communities. At a time of increasing hostility between the Catholic Church’s leadership and LGBT groups, he made it part of his mission to minister to gays and lesbians and people with AIDS. He was dedicated to helping the homeless and people suffering drug and alcohol addiction, and he led a peace mission in Ireland. Few others would have been able to shake hands with cross-wielding protesters and break bread with a gay marching band on that same morning in Queens.
In his last homily, delivered the day before he was killed at the World Trade Center, he spoke to firefighters in The Bronx. He spoke about the unpredictable nature of life and how everyone has their part to play, that each one of us has a place.
“That’s the way it is. Good days. And bad days. Up days. Down days. Sad days. Happy days. But never a boring day on this job. You do what God has called you to do. You show up. You put one foot in front of another. You get on the rig and you go out and you do the job – which is a mystery. And a surprise. You have no idea when you get on that rig. No matter how big the call. No matter how small. You have no idea what God is calling you to. But he needs you. He needs me. He needs all of us.”
September is freshly ended and with it, most of the commemorations of the September 11 attacks. One of the best traditions, the Stephen Siller Foundation Tunnel to Towers 5k, is held the last Sunday in September.
On a rainy October evening, I was making my way home from midtown after a long workday. A fire engine was driving down the street and was stuck at an intersection of 6th Ave. and 31st Street. Despite having the right of way, the firefighter at the wheel waved pedestrians across.
I discovered I was crossing Father Mychal F. Judge Street, a segment of West 31st that runs past his church, St. Francis of Assisi. It was named in his honor in 2002. FDNY Engine 1/Ladder 24 station is nearby. It would have been disrespectful to ignore the sign and continue on with the regular rush of the afternoon commute. I stepped out of people’s way and took a photo of the sign.
There are few New Yorkers who represent the resiliency and humanity of our city the way Father Mychal Judge did. His sacrifice has special meaning for firefighters and those who lost loved ones in the September 11th attacks, but the life he lived symbolizes the best of us and serves as an inspiration the world over. It always will.
Capturing the New York punk scene better than anyone since the death of Lester Bangs is The New York Waste, and picking up the Waste is a must. When I first started reading it almost two decades ago, it introduced me to the best punk rock bands on the scene at the time. It featured cool photos of the Lunachicks and the Toilet Boys and the Bullys, awesome mention of The Spunk Lads and others. Paging a little farther, what did I find but ‘Last in Line for the Gang Bang, a comic biography of G.G. Allin.’
For those unaware, G.G. Allin was a punk rock musician infamous for his violent and obscene performances. He may be better known today as his legend has grown with retellings of his stories and the admiration of musicians who have broken into the mainstream. But in the early 2000s, only a select and disturbed few were allied in their admiration of the late self-described “scumfuck.” (Insider’s note: despite his violent habits, G.G. Allin was a gifted songwriter who left a prolific legacy of excellent punk rock and country music before his untimely end at age 36 in 1993.)
So the fact that someone was producing a comic strip serial biography of G.G. Allin bowled me over. That such an awesome artistic endeavor was underway and had an audience getting it free through the New York Waste made me realize I had found a great home in the punk scene of New York. The Big Apple became a little less lonely knowing that there were other sickos out there.
Discreetly inked into the margins of every comic strip was a web site address for a local punk rock band, World War IX. The band’s guitar player, Justin Melkmann, was the talented cartoonist documenting G.G. Allin’s life.
At the same time, I began looking to start my own punk rock band, and was soon working on original songs with, as the luck of the Internet would have it, Bruce Steinert from the band Buzzkill. We needed a singer.
“I’m friends with a guy who our band would play with back in the day in New Jersey. He used to do things like take bloody meat out of his pants and throw it at the audience,” Bruce mentioned at rehearsal, speaking of the New Jersey band Daisycutter.
“That sounds like our guy,” I said. “Call that guy.”
Soon afterwards, Seth Amphetamines entered the picture and became the singer of what would be Blackout Shoppers. There are not too many people who can command a stage and make the entire venue the center of punk rock chaos in the way that Seth can, and that’s a good thing. It’s an acquired skill to engage with the audience in a mosh pit with great passion without creating lasting hostility or becoming one of the bogus tough-guy copycats that have created so many boring hardcore bands over the last few decades.
Seth is the only singer I’ve seen who has gotten members of the audience angry enough to throw beer cans at him only to have them share beers afterwards. Whatever violence he dishes out is in without hate or malice, and in sincere appreciation of old school hardcore punk.
I went to see World War IX at CB’s basement, which was part of a still-existent CBGBs at the time (where Blackout Shoppers would play its first show in a complete fluke later that year), and introduced myself to Justin. He was glad to meet someone who enjoyed his comic and we vowed to stay in touch.
Not soon afterwards, World War IX and Blackout Shoppers played the first of many shows together. It’s an alliance that has lasted about a decade and a half. We’ve put out a split seven-inch record together. Blackout Shoppers’ guitar player Mike Moosehead now plays in World War IX, and World War IX’s drummer Johnny Special K has filled in on drums for Blackout Shoppers. Blackout Shoppers came back from an official hiatus at a show where World War IX bid farewell to its singer Philthy Phill. It’s an incestuous bouillabaisse that only works in punk rock or among inbred Mormon fanatics, and we love it.
This month, both Justin and Seth turn 50, and the bands are celebrating with a show together at Otto’s Shrunken Head, one of our favorite places to play. It will be an evening filled with alcohol, music and good times. Please join us.
This weekend was a typical blur for a person with an office job and small children. There was per usual a mountain of house chores to do, events to take the children to, and hours of each day dedicated to the day job, as our day jobs spread their tentacles into every aspect of our lives. On top of that add grocery shopping.
Sunday I took one of my daughters with me while we went grocery shopping. She helped me find things in the store and took pride in helping me load things into the cart. We navigated the crowded aisles and found everything on our list (with some extra popcorn and coffee thrown in for good measure).
We were running down the clock toward dinner time and I knew I had a full wagon of groceries to get upstairs and away before either I or my wife had to make dinner.
We made good time and were parked outside our building a few minutes after I had returned our shopping cart. I sat at the driver’s seat for a few minutes, trying to calculate in my head the things I needed to accomplish in the next few minutes: getting my daughter out of her car seat, loading up the groceries, cleaning out part of the car quickly between those two steps, getting the groceries away, making dinner, getting logged back in at work—
“Daddy, look at the sunset,” my daughter told me.
Through the trees and the power lines and shadows of nearby buildings, a patch of brilliant dusk sunset filled the sky with its pastel vision. It had been there the whole time, going unappreciated by me.
It was a testament to the excellence of children. They have not had years to become jaded or distracted with the compounded stresses of the mundane. It was a reminder of how grateful I ought to be for my family and my life.
When we think of New York’s beauty we usually picture its stunning skyline, its aged paving stones and its tributes to achievement wrought in stone or glass; the urban landscape is beautiful but almost always bears the mark of a human hand. Even the most gorgeous parts of our most popular parks were put there by design.
This outlook often neglects the natural beauty that surrounds, us, and the fiery sky of an autumn sunset has few rivals of natural scale in our Gotham’s vision.
And so often in the execution of our ambitious dreams, the wonder of life itself gets lost in the shuffle. Having kids won’t bring the same reward if we can’t pass on an appreciation of beautiful things. Without the ability to stop and look at the greatness around you, are we succeeding in life at all?
I opened the passenger door so my daughter could get a better look at the brilliant sky, and took a photo so I could remember this and show her later. I made a silent vow to remember our sunsets, and make the time to take in the natural beauty that surrounds us, even in the densest cityscape.
Earlier this summer, I arrived home late on a Friday night—late these days meaning after 8 p.m.—and was taking things out of my pockets after a long day. When I reached into my right front picket, I came to the realization that I did not have my wallet. My stomach tied in knots and I cried out in frustrated desperation. I knew it had been in my pocket; there would be no deus ex machina miracle of finding it in my bag or in another pair of shorts.
I knew that it most likely fell out of my pocket on my commute home. I had just gotten off the express bus—this bus was still on the road and someone could radio the driver! I immediately picked up my smart phone and dialed 311 for citywide information. The 311 operator would be able to connect me to the right person. The 311 operator transferred me to 511, which is the information number for the Metropolitan Transportation Authority (MTA).
After a few more transfers, I spoke with someone I was told could help me. I gave them all the information I had. I was on a QM20 bus and was picked up from 6th Avenue and 42nd Street in Manhattan at approximately 8:40 p.m. and was dropped off at Union Street and 26th Avenue in Flushing, Queens at approximately 9:30 p.m. This driver was probably still on their route and with the information I had given them someone should be able to get in touch with the driver ASAP!
But no such luck. The person on the other end of the line said they could not do anything unless I had the bus number. Without the bus number, they could not contact the driver. Seems a bit ridiculous. If this had been a more serious situation and people’s lives depended on finding the bus, there would have been a catastrophe.
I was asked to call back the next day after the bus had gone back to the depot and the driver may have turned in the wallet. It was a small wallet, one that held only cards. I was not out any cash, unless someone was going to town with my debit card.
I started to call credit card companies and my bank to have holds put on cards.
The next day I called the depot. Nothing.
I called back the next day, and called back later in the day again. Nothing still.
I went through with canceling and replacing my credit cards and ATM card and replacing my driver’s license.
By Monday, there was no funny business on my cards and new ones were on the way. I printed out a temporary driver’s license and ordered a new card wallet that came with a money clip. My card wallet needed replacing anyway, and this was a chance to pare down the stuff I carried with me everywhere.
A few weeks later, the same day my new driver’s license arrived in the mail, a notice from the MTA Lost & Found arrived in the mail.
“An article which contains your name and/or contact information was found and turned in to the MTA NYC Transit Lost Property Unit,” the notice began. It instructed me to report to the unit’s office at the 34th Street subway station at 8th Avenue in Manhattan. If I did not claim my property by Nov. 3, “it will be deemed to have been abandoned and you will have forfeited your right to claim it.”
The next day I brought that notice and my newly replaced driver’s license to a hidden-in-plan-sight pocket of the 34th Street subway station in Manhattan. It took some searching and asking to find the lost and found office, which is beneath the tracks of the A, C, E subway lines and without any signs leading you there except in the immediate vicinity. It’s within the subway system, so if you arrive by some other means or exit the subway before you find it, you’ll have to spend another subway fare to reach it or get a helpful MTA worker to let you in.
A small sign points the way to a set of double doors painted in celebration of the many objects found in our transit system. The office is open odd hours—and completely closed weekends and holidays, a travesty in a system that runs 24 hours—but luckily is open until 6:30 p.m. Wednesday and Thursdays.
Inside is a small room with a very low ceiling. I’m five feet eleven inches with my shoes on, and if I had extended my arm fully above my head I would have punched a hole in the drop-down ceiling. There is a metal bench to sit on, a small counter to stand and fill out paperwork on, two old-looking computer terminals, and a thick window above a pass-through door through which one may conduct business with the MTA workers on duty.
I arrived as a worker emerged from another set of doors to hand someone some paperwork, and she took my notice and ID and disappeared in to the bowels of the lost and found. The woman who was there spoke to someone at the window and was told to check back about her property later. She left and another woman arrived to ask if a book she lost on the subway was found. She was told no and to check back later; she left. Another man arrived and looked through his paperwork to check on a claim, and while he was speaking with someone another woman arrived to check on some property she had reported missing.
A worker arrived at the thick window with my wallet. It was a different worker than I had given my notice to; it was a rotating staff of workers answering questions and handling forms. He told me to sign my name on another form and write my address the same way it appeared on the notice in the mail. He opened the door to the silver box under the window and placed a clip board inside, and when he closed his door I opened mine and filled out the form.
A minute later, the same exchange reunited me with my wallet. It looked a little worse for wear, but nothing was missing. Everything was there: my license, my ATM card, my MTA MetroCard, even the coupon for a t-shirt at the zoo. I excitedly took an inventory of my wallet while my fellow transit visitors looked on amazed.
“You give me hope,” said the young woman sitting on the bench, hoping her property would be returned.
I thanked the worker and wished the other people in the office good luck, and went back out into the bustling station. For me, lost and found had worked out well.
Thank you to the Good Samaritan on the bus who turned in my wallet, and the series of honest MTA workers that made it possible for me to get my property back. For me the stars aligned this time.
A few weeks ago, my band was fortunate enough to be asked to play music in Tompkins Square Park. The four of us arrived punctually (an impressive feat for an old-school punk rock band like ours).
The sun was blazing but standing in the shade brought sound respite. Having consumed copious caffeinated beverages in transit, I headed for where I knew the public restrooms were located.
The men’s room was locked. A nearby restroom was marked for use only by children. It was also locked. Park workers admonished men looking to use the boys’ restroom, and referred people to the closed men’s room even after being told it was locked. A Parks Department employee told me to use bathrooms at a nearby Starbucks or 7 Eleven, and acted as if she were doing me a favor.
Nearby on Ave. A and 9th Street, there was not a Starbucks or 7 Eleven in sight. Doc Holliday’s was open though.
Even though I long ago left the drinking life, I had the good fortune to drink at many of New York’s most excellent bars before I did. Doc Holiday’s is one of the East Village’s surviving dive bars that did not sell out or lose its character, and has stayed the same quality dive bar that it was meant to be.
As the name implies, Doc Holliday’s could be called a country bar. While by that measure it could easily be lumped in with other “country” bars such as the now-defunct Hogs & Heifers, it’s a bit more subdued and nowhere near the same kind of tourist mecca. It may be a far cry from where David Allen Coe would drink (if anyone knows where David Allen Coe goes to drink when he’s in New York, please tell me), but it’s the closest thing to a country dive bar surviving in the city today.
When a cheesy movie came out about rival bar Coyote Ugly in 2000, Doc Holliday’s celebrated the fact that its name was not associated with such a flop. They had several drink specials and posted scathing movie reviews of Coyote Ugly on the walls of the bar.
For a while when I worked in SoHo, I would bring coworkers to Doc Holliday’s for beer—after the after-work beers we had at work, of course, and it never disappointed me then. I would be one of the last of my party to depart, stepping strongly buzzed into the bright twilight of a New York Friday night, ready to conquer the world some more.
About 10 years later, when I decided to leave the bogus “secret restaurant” located in Crif Dogs rather than take off my hat, I went to Doc Holliday’s where friends were waiting. Three boroughs and many, many drinks later, I made it through that night with few memories but few regrets.
But now I was returning to Doc Holliday’s as someone gone from the drinking life nearly a decade, a frustrated park goer unable to find a decent bathroom. Would I be welcome back to this hallowed place where I had spent so much quality time in the past?
The bartender was chatting with three people at the bar and the place was otherwise empty. There was no crowd to blend into if I pretended to be a customer. She looked to me, expecting me to order a drink. I decided to come clean and admit I was there just to go to the bathroom. I explained my situation to the bartender. Could I use their bathroom?
The bartender told me yes and thanked me for asking. I walked back to where the bathrooms were to find that Doc’s had done some remodeling and the restrooms were not in a state of filthy disrepair. By dive bar standards the new men’s room was pretty luxurious. I left a five-dollar bill on the bar in my way out and got a friendly smile.
I returned throughout the day and was warmly greeted. It was good to be welcome and enjoy the dive bar scene again. Even removed from the drinking life, our bars are cultural markers that can offer a guide to the state of society. Doc Holliday’s confirms there are some pockets of righteous goodness left in our city.
Despite the popularity of some parts of Brooklyn, our collective dialogue around New York City remains excessively Manhattan-centric. New Yorkers will still say “the city” when they mean Manhattan, even though the five borough boundaries of our city have been in place since 1898.
And New York City is so large that telling people what borough you are from will not cut it. No one actually from Manhattan would introduce themselves as being from Manhattan unless they were in a very borough-specific conversation. Each of New York City’s boroughs is a tapestry of neighborhoods, and it is these neighborhoods that are the lifeblood of life in NYC.
Queens is New York City’s largest borough and among its most well-known neighborhoods is Flushing. This weekend, local residents are showing off the neighborhood’s many attractions Saturday at FNO 2019: Flushing Fantastic.
FNO stands for “Flushing Night Out” as past events have been held at night, but this festival is going to run from 12 noon until 6 p.m. and is going to be at historic St. George’s Episcopal Church, right in the center of downtown Main Street a short walk from both the 7 train and the LIRR.
Flushing is known as a destination for Chinese cuisine, and people will come from all over to sample some of the great restaurants, food carts, or food court stalls that make this neighborhood unique. But there is much more than Chinese food, and the Greater Flushing Chamber of Commerce is promoting the neighborhood as an international melting pot, though admittedly one that is heavily Asian. I often point out to people that among the best dining attractions in Flushing are 24-hour Korean restaurants such as Kum Gang San and Noodle Flower, where you can barbecue an awesome assortment of meat right at your table at two o’clock in the morning if you are so inclined.
The Greater Flushing Chamber of Commerce also notes that the event is designed to give a boost to local businesses and entrepreneurs that are competing with large franchises. Downtown Flushing has seen a boom in construction of high-rise condominiums and the rising price of real estate has made life harder for small businesses throughout Queens and five boroughs.
“Flushing, NY is the crossroads of the world — where you can find amazing culture and people from around the globe,” the chamber says in its event notice online. “We want to celebrate the unique food, fashion, and music found here as well as help the small businesses and entrepreneurs who are struggling to make ends meet. Over the past decade, rising rents and major development projects have threatened to displace the small mom-and-pop stores who invested their blood, sweat, and tears into making our neighborhood prosperous.”
Flushing Night Out has been held at various locations, centered on the downtown area. The first one I attended was on the campus of Flushing High School, and it was a memorable event, even for cynics like me that hate crowds.
It was at my first Flushing Night Out that I was introduced to Karl’s Balls, a food stand of traditional Japanese takoyaki balls—those are octopus balls inside a doughy sphere that are cooked on an egg-shell like grill. Go to Karl’s Balls because it’s an ingenious name and you may never stop joking about wanting to put Karl’s Balls in your mouth. But all joking aside, the takoyaki balls are extraordinarily delicious and Karl himself—Karl Palma—is a celebrated chef who has been featured on the Cooking Channel among other accomplishments.
While Karl’s Balls may not be at this FNO event, there is going to be a smorgasbord of amazing food, from Ecuadorian cuisine to Japanese ramen to craft beer and gourmet ice cream. You have no excuse to leave hungry. The organizers require all the vendors there to have items that start at $5 or less.
FNO also features live music, crafts, and other cultural interests. This Saturday will feature Harmonyc Movement, a city-based dance troupe steeped in K-pop and Korean culture.
And at the Flushing Queens Macaroni Kid booth, they will be giving away protein bars for free (full disclosure, my wife Emily Griffin Sheahan runs our local Macaroni Kid web site and will be manning the booth at the event – tell her I sent you!).
This coming weekend two free punk rock shows will be held in Tompkins Square Park in New York City’s East Village.
The shows commemorate the Tompkins Square Park riot of 1988, when police clashed with squatters, homeless and others that had been camping out in the park. Accounts of that night very but few dispute it involved widespread police brutality. Police lined up on the street for an extended period of time before moving into the park, and they were subject to sustained abuse by activists that did not want them there and saw them as agents of a landlord-controlled city that (to this day) lets property go abandoned rather than occupied while working people struggle to pay rent.
The riots were one of the first instances of widely-publicized videos of reported police misconduct thanks to the efforts of East Village video archivist and neighborhood stalwart Clayton Patterson. His videos showed police covering their badge numbers and chasing down protesters and beating them without arresting them. “Little brother is watching big brother,” he told Oprah Winfrey.
The 30-plus years have done a lot to change the East Village. Tompkins Square Park is no longer a homeless encampment or open-air drug market; it is now a safe place you can bring children. The abandoned buildings and art spaces that were abundant in the late 1980s have been replaced by high-end restaurants and expensive homes. The story is the same throughout the city.
It would be useless to pretend the East Village is the same, but it would be a disservice not to commemorate a scene that produced great art. Even if the crucible that created an esteemed body of art is long gone, the art does not get thrown away. I’m happy that feudal Italian city states no longer wage war on the Italian peninsula, but the art that survives from this period is among the finest in the civilized world.
The scene may be over, but the art endures. So let it be with punk rock. Though please don’t think that punk rock is over or that new generations don’t have the same legitimacy as the old-timers that were there when New York was a shithole. There are excellent bands playing in the city today, comprised of young people who were not born yet in 1988, and they are as punk rock as anyone else.
And the East Village is still a home for punk rock. The Bowery Electric, located a short distance away from where CBGB once stood on the Bowery, still hosts great punk rock shows. Niagara, which his located where punk rock club A7 once stood, has started booking hardcore punk concerts there regularly again.
And free punk rock still reigns in the park. Full disclosure: my band Blackout Shoppers is scheduled to play the free punk rock show in Tompkins Square Park this Sunday, Aug. 4, with The Voluptuous Horror of Karen Black, Hammerbrain, Porno Dracula (one of the greatest band names ever, but please don’t Google them at work), Jennifer Blowdryer Soul Band, Ruckus Interruptus, and Young Headlight. Saturday the 3rd hosts the first of the two-part series with Disassociate, the Nihilistics, Rapid Deployment Force and more.
Blackout Shoppers have been rehearsing and sounding good, even judging by my overly critical, curmudgeonly ears. We don’t play as often as we used to and it’s a blast when we can get together and play a show. It was touching when people came out to see us last year when we bid farewell to Philthy Phill of World War IX. We don’t want to wear out our welcome, but we are playing more shows this year than we’ve played more recently and it feels good to be out there being loud.
See you in the park this weekend.