A high school friend of mine worked as a successful lawyer for roughly the past two decades. He won a great ROTC scholarship in high school. While in the U.S. Army, he went to law school. After serving in the U.S. Army’s Judge Advocate General Corps, he worked as an attorney for the Department of Defense before going into private practice law.
But change has come. My friend gave up the life of an attorney to chase his dream of being a radio D.J.
“Because terrestrial radio is such a big thing now,” he joked.
Today commercial radio is a ghost of its former self while music streaming services dominate music landscape. But people still do make a living as radio D.J.s, why shouldn’t he? He took classes at a local broadcasting school and has managed to cobble together an income from various sources—a few nights hosting a lotto drawing here, running a bar trivia night there, he’s not homeless or starving.
Another friend also took a similar plunge, working in comedy and going for broke. Show business is a brutal and heart-rendering business that leaves some its most earnest and talented people out in the cold. My buddies have no illusions they face an uphill battle, and I couldn’t be more proud of them.
I yearn for the courage that my friends have shown.
I moved back to New York for several reasons, but one of them was to seek fame and fortune and become a great American writer. We writers are a hopeless romantic lot, even those of us that like to paint ourselves as curmudgeons. Even the most anti-social hermit scribbling away in obscurity harbors dreams of being the stuff of book covers and bookstore postcards someday. Any writer that tells you they do not dream of somehow writing themselves into immortality is a liar. Like all artists, we hope our work will live after us and testify to the improbable infinity that we lived.
One of the problems with creative people is that many of us spend more time dreaming and pondering than working at our craft in a way that is productive. We have overly romanticized notions of what our craft is, that it somehow exists in a sphere outside of the normal marketplaces and human conditions. Crash landing into the realities of business and the arts is a hard thing, but the worthwhile things are always hard.
I am in the same boat with so many hopeful others. My dreams have tempered a bit. I will settle for not being the next Jack Kerouac or William Faulkner, but I still hope to make a living creatively, by doing work that is creative, artistic in nature or at least taps into my talents to write about things that I find legitimately interesting.
I am very lucky in the life that I have. I have a great family and group of friends; my health is good; I can say with confidence I will go to bed tonight with food in my stomach and a roof over my head. And yet, there is the dream I must still chase. I’m not low on ambition, but on direction and focus.
Despite all the reasons to be jaded and negative, I live with the confidence in my own creativity and the ability of New York to feed our greatest ambitions. Wish me luck and hard work.
Earlier this summer, I arrived home late on a Friday night—late these days meaning after 8 p.m.—and was taking things out of my pockets after a long day. When I reached into my right front picket, I came to the realization that I did not have my wallet. My stomach tied in knots and I cried out in frustrated desperation. I knew it had been in my pocket; there would be no deus ex machina miracle of finding it in my bag or in another pair of shorts.
I knew that it most likely fell out of my pocket on my commute home. I had just gotten off the express bus—this bus was still on the road and someone could radio the driver! I immediately picked up my smart phone and dialed 311 for citywide information. The 311 operator would be able to connect me to the right person. The 311 operator transferred me to 511, which is the information number for the Metropolitan Transportation Authority (MTA).
After a few more transfers, I spoke with someone I was told could help me. I gave them all the information I had. I was on a QM20 bus and was picked up from 6th Avenue and 42nd Street in Manhattan at approximately 8:40 p.m. and was dropped off at Union Street and 26th Avenue in Flushing, Queens at approximately 9:30 p.m. This driver was probably still on their route and with the information I had given them someone should be able to get in touch with the driver ASAP!
But no such luck. The person on the other end of the line said they could not do anything unless I had the bus number. Without the bus number, they could not contact the driver. Seems a bit ridiculous. If this had been a more serious situation and people’s lives depended on finding the bus, there would have been a catastrophe.
I was asked to call back the next day after the bus had gone back to the depot and the driver may have turned in the wallet. It was a small wallet, one that held only cards. I was not out any cash, unless someone was going to town with my debit card.
I started to call credit card companies and my bank to have holds put on cards.
The next day I called the depot. Nothing.
I called back the next day, and called back later in the day again. Nothing still.
I went through with canceling and replacing my credit cards and ATM card and replacing my driver’s license.
By Monday, there was no funny business on my cards and new ones were on the way. I printed out a temporary driver’s license and ordered a new card wallet that came with a money clip. My card wallet needed replacing anyway, and this was a chance to pare down the stuff I carried with me everywhere.
A few weeks later, the same day my new driver’s license arrived in the mail, a notice from the MTA Lost & Found arrived in the mail.
“An article which contains your name and/or contact information was found and turned in to the MTA NYC Transit Lost Property Unit,” the notice began. It instructed me to report to the unit’s office at the 34th Street subway station at 8th Avenue in Manhattan. If I did not claim my property by Nov. 3, “it will be deemed to have been abandoned and you will have forfeited your right to claim it.”
The next day I brought that notice and my newly replaced driver’s license to a hidden-in-plan-sight pocket of the 34th Street subway station in Manhattan. It took some searching and asking to find the lost and found office, which is beneath the tracks of the A, C, E subway lines and without any signs leading you there except in the immediate vicinity. It’s within the subway system, so if you arrive by some other means or exit the subway before you find it, you’ll have to spend another subway fare to reach it or get a helpful MTA worker to let you in.
A small sign points the way to a set of double doors painted in celebration of the many objects found in our transit system. The office is open odd hours—and completely closed weekends and holidays, a travesty in a system that runs 24 hours—but luckily is open until 6:30 p.m. Wednesday and Thursdays.
Inside is a small room with a very low ceiling. I’m five feet eleven inches with my shoes on, and if I had extended my arm fully above my head I would have punched a hole in the drop-down ceiling. There is a metal bench to sit on, a small counter to stand and fill out paperwork on, two old-looking computer terminals, and a thick window above a pass-through door through which one may conduct business with the MTA workers on duty.
I arrived as a worker emerged from another set of doors to hand someone some paperwork, and she took my notice and ID and disappeared in to the bowels of the lost and found. The woman who was there spoke to someone at the window and was told to check back about her property later. She left and another woman arrived to ask if a book she lost on the subway was found. She was told no and to check back later; she left. Another man arrived and looked through his paperwork to check on a claim, and while he was speaking with someone another woman arrived to check on some property she had reported missing.
A worker arrived at the thick window with my wallet. It was a different worker than I had given my notice to; it was a rotating staff of workers answering questions and handling forms. He told me to sign my name on another form and write my address the same way it appeared on the notice in the mail. He opened the door to the silver box under the window and placed a clip board inside, and when he closed his door I opened mine and filled out the form.
A minute later, the same exchange reunited me with my wallet. It looked a little worse for wear, but nothing was missing. Everything was there: my license, my ATM card, my MTA MetroCard, even the coupon for a t-shirt at the zoo. I excitedly took an inventory of my wallet while my fellow transit visitors looked on amazed.
“You give me hope,” said the young woman sitting on the bench, hoping her property would be returned.
I thanked the worker and wished the other people in the office good luck, and went back out into the bustling station. For me, lost and found had worked out well.
Thank you to the Good Samaritan on the bus who turned in my wallet, and the series of honest MTA workers that made it possible for me to get my property back. For me the stars aligned this time.
A few weeks ago, my band was fortunate enough to be asked to play music in Tompkins Square Park. The four of us arrived punctually (an impressive feat for an old-school punk rock band like ours).
The sun was blazing but standing in the shade brought sound respite. Having consumed copious caffeinated beverages in transit, I headed for where I knew the public restrooms were located.
The men’s room was locked. A nearby restroom was marked for use only by children. It was also locked. Park workers admonished men looking to use the boys’ restroom, and referred people to the closed men’s room even after being told it was locked. A Parks Department employee told me to use bathrooms at a nearby Starbucks or 7 Eleven, and acted as if she were doing me a favor.
Nearby on Ave. A and 9th Street, there was not a Starbucks or 7 Eleven in sight. Doc Holliday’s was open though.
Even though I long ago left the drinking life, I had the good fortune to drink at many of New York’s most excellent bars before I did. Doc Holiday’s is one of the East Village’s surviving dive bars that did not sell out or lose its character, and has stayed the same quality dive bar that it was meant to be.
As the name implies, Doc Holliday’s could be called a country bar. While by that measure it could easily be lumped in with other “country” bars such as the now-defunct Hogs & Heifers, it’s a bit more subdued and nowhere near the same kind of tourist mecca. It may be a far cry from where David Allen Coe would drink (if anyone knows where David Allen Coe goes to drink when he’s in New York, please tell me), but it’s the closest thing to a country dive bar surviving in the city today.
When a cheesy movie came out about rival bar Coyote Ugly in 2000, Doc Holliday’s celebrated the fact that its name was not associated with such a flop. They had several drink specials and posted scathing movie reviews of Coyote Ugly on the walls of the bar.
For a while when I worked in SoHo, I would bring coworkers to Doc Holliday’s for beer—after the after-work beers we had at work, of course, and it never disappointed me then. I would be one of the last of my party to depart, stepping strongly buzzed into the bright twilight of a New York Friday night, ready to conquer the world some more.
About 10 years later, when I decided to leave the bogus “secret restaurant” located in Crif Dogs rather than take off my hat, I went to Doc Holliday’s where friends were waiting. Three boroughs and many, many drinks later, I made it through that night with few memories but few regrets.
But now I was returning to Doc Holliday’s as someone gone from the drinking life nearly a decade, a frustrated park goer unable to find a decent bathroom. Would I be welcome back to this hallowed place where I had spent so much quality time in the past?
The bartender was chatting with three people at the bar and the place was otherwise empty. There was no crowd to blend into if I pretended to be a customer. She looked to me, expecting me to order a drink. I decided to come clean and admit I was there just to go to the bathroom. I explained my situation to the bartender. Could I use their bathroom?
The bartender told me yes and thanked me for asking. I walked back to where the bathrooms were to find that Doc’s had done some remodeling and the restrooms were not in a state of filthy disrepair. By dive bar standards the new men’s room was pretty luxurious. I left a five-dollar bill on the bar in my way out and got a friendly smile.
I returned throughout the day and was warmly greeted. It was good to be welcome and enjoy the dive bar scene again. Even removed from the drinking life, our bars are cultural markers that can offer a guide to the state of society. Doc Holliday’s confirms there are some pockets of righteous goodness left in our city.
Despite the popularity of some parts of Brooklyn, our collective dialogue around New York City remains excessively Manhattan-centric. New Yorkers will still say “the city” when they mean Manhattan, even though the five borough boundaries of our city have been in place since 1898.
And New York City is so large that telling people what borough you are from will not cut it. No one actually from Manhattan would introduce themselves as being from Manhattan unless they were in a very borough-specific conversation. Each of New York City’s boroughs is a tapestry of neighborhoods, and it is these neighborhoods that are the lifeblood of life in NYC.
Queens is New York City’s largest borough and among its most well-known neighborhoods is Flushing. This weekend, local residents are showing off the neighborhood’s many attractions Saturday at FNO 2019: Flushing Fantastic.
FNO stands for “Flushing Night Out” as past events have been held at night, but this festival is going to run from 12 noon until 6 p.m. and is going to be at historic St. George’s Episcopal Church, right in the center of downtown Main Street a short walk from both the 7 train and the LIRR.
Flushing is known as a destination for Chinese cuisine, and people will come from all over to sample some of the great restaurants, food carts, or food court stalls that make this neighborhood unique. But there is much more than Chinese food, and the Greater Flushing Chamber of Commerce is promoting the neighborhood as an international melting pot, though admittedly one that is heavily Asian. I often point out to people that among the best dining attractions in Flushing are 24-hour Korean restaurants such as Kum Gang San and Noodle Flower, where you can barbecue an awesome assortment of meat right at your table at two o’clock in the morning if you are so inclined.
The Greater Flushing Chamber of Commerce also notes that the event is designed to give a boost to local businesses and entrepreneurs that are competing with large franchises. Downtown Flushing has seen a boom in construction of high-rise condominiums and the rising price of real estate has made life harder for small businesses throughout Queens and five boroughs.
“Flushing, NY is the crossroads of the world — where you can find amazing culture and people from around the globe,” the chamber says in its event notice online. “We want to celebrate the unique food, fashion, and music found here as well as help the small businesses and entrepreneurs who are struggling to make ends meet. Over the past decade, rising rents and major development projects have threatened to displace the small mom-and-pop stores who invested their blood, sweat, and tears into making our neighborhood prosperous.”
Flushing Night Out has been held at various locations, centered on the downtown area. The first one I attended was on the campus of Flushing High School, and it was a memorable event, even for cynics like me that hate crowds.
It was at my first Flushing Night Out that I was introduced to Karl’s Balls, a food stand of traditional Japanese takoyaki balls—those are octopus balls inside a doughy sphere that are cooked on an egg-shell like grill. Go to Karl’s Balls because it’s an ingenious name and you may never stop joking about wanting to put Karl’s Balls in your mouth. But all joking aside, the takoyaki balls are extraordinarily delicious and Karl himself—Karl Palma—is a celebrated chef who has been featured on the Cooking Channel among other accomplishments.
While Karl’s Balls may not be at this FNO event, there is going to be a smorgasbord of amazing food, from Ecuadorian cuisine to Japanese ramen to craft beer and gourmet ice cream. You have no excuse to leave hungry. The organizers require all the vendors there to have items that start at $5 or less.
FNO also features live music, crafts, and other cultural interests. This Saturday will feature Harmonyc Movement, a city-based dance troupe steeped in K-pop and Korean culture.
And at the Flushing Queens Macaroni Kid booth, they will be giving away protein bars for free (full disclosure, my wife Emily Griffin Sheahan runs our local Macaroni Kid web site and will be manning the booth at the event – tell her I sent you!).
This coming weekend two free punk rock shows will be held in Tompkins Square Park in New York City’s East Village.
The shows commemorate the Tompkins Square Park riot of 1988, when police clashed with squatters, homeless and others that had been camping out in the park. Accounts of that night very but few dispute it involved widespread police brutality. Police lined up on the street for an extended period of time before moving into the park, and they were subject to sustained abuse by activists that did not want them there and saw them as agents of a landlord-controlled city that (to this day) lets property go abandoned rather than occupied while working people struggle to pay rent.
The riots were one of the first instances of widely-publicized videos of reported police misconduct thanks to the efforts of East Village video archivist and neighborhood stalwart Clayton Patterson. His videos showed police covering their badge numbers and chasing down protesters and beating them without arresting them. “Little brother is watching big brother,” he told Oprah Winfrey.
The 30-plus years have done a lot to change the East Village. Tompkins Square Park is no longer a homeless encampment or open-air drug market; it is now a safe place you can bring children. The abandoned buildings and art spaces that were abundant in the late 1980s have been replaced by high-end restaurants and expensive homes. The story is the same throughout the city.
It would be useless to pretend the East Village is the same, but it would be a disservice not to commemorate a scene that produced great art. Even if the crucible that created an esteemed body of art is long gone, the art does not get thrown away. I’m happy that feudal Italian city states no longer wage war on the Italian peninsula, but the art that survives from this period is among the finest in the civilized world.
The scene may be over, but the art endures. So let it be with punk rock. Though please don’t think that punk rock is over or that new generations don’t have the same legitimacy as the old-timers that were there when New York was a shithole. There are excellent bands playing in the city today, comprised of young people who were not born yet in 1988, and they are as punk rock as anyone else.
And the East Village is still a home for punk rock. The Bowery Electric, located a short distance away from where CBGB once stood on the Bowery, still hosts great punk rock shows. Niagara, which his located where punk rock club A7 once stood, has started booking hardcore punk concerts there regularly again.
And free punk rock still reigns in the park. Full disclosure: my band Blackout Shoppers is scheduled to play the free punk rock show in Tompkins Square Park this Sunday, Aug. 4, with The Voluptuous Horror of Karen Black, Hammerbrain, Porno Dracula (one of the greatest band names ever, but please don’t Google them at work), Jennifer Blowdryer Soul Band, Ruckus Interruptus, and Young Headlight. Saturday the 3rd hosts the first of the two-part series with Disassociate, the Nihilistics, Rapid Deployment Force and more.
Blackout Shoppers have been rehearsing and sounding good, even judging by my overly critical, curmudgeonly ears. We don’t play as often as we used to and it’s a blast when we can get together and play a show. It was touching when people came out to see us last year when we bid farewell to Philthy Phill of World War IX. We don’t want to wear out our welcome, but we are playing more shows this year than we’ve played more recently and it feels good to be out there being loud.
See you in the park this weekend.
This past Saturday I noticed a friend posting on social media from the dark interior of one of Hell’s Kitchen’s finer dive bars, Rudy’s.
“Uh-oh. Power’s out. Better drink all the beer before it gets warm.” That was the caption accompanying a photo of business as usual on a busy Saturday night at Rudy’s. There was never a lot of interior light there to begin with, so one had to take her word for it that there was a blackout.
A little while later, a message from work indicating a “Code Red” situation—the company’s building in Times Square was without power and this was a problem. I scrambled to join the emergency communications line, only to be told there were enough people working on this already, I could drop.
News reported that the West Side of Manhattan and a significant portion of midtown were dark. This was a major event though it was small potatoes compared to previous New York City blackouts. It was short-lived as well. By 10 p.m. power had been restored to much of the affected areas, and my employers’ building in midtown had power again but was still waiting for electricians to arrive to make sure everything was up and running.
The cause was not immediately known and Con Edison does not have a great track record of accountability when these things do happen. Several years ago, a significant portion of Astoria, Queens was out of power for an extended period of time. Sadly, an outage in Manhattan generates greater news coverage and more intense scrutiny.
New York City suffered a blackout exactly 42 years ago to the day of the one this past Saturday. On July 13, 1977 a blackout hit New York City and was the scene of widespread looting and arson.
Seventeen years ago this August marks the anniversary of the 2003 blackout that darkened a significant swath of the Northeastern United States. I was downtown getting ready for a late night of editing at work and wound up taking a 12-mile walk home over almost the entire length of Manhattan. Although incidents of looting were underreported, they were indeed rare and the peaceful evening rush hour and dark night was a testament to the transformation that had happened in the years since 1977.
Even after walking 12 miles to get home in crumbling shoes that blistered my feet, I walked around my neighborhood of Inwood in Manhattan, amazed at the peacefulness of the city at such a time. People played dominoes in the moonlight near the Dyckman Farmhouse, and the sound of steel drums and street parties filtered up from blocks away.
Power outages serve as a barometer of where New York resides along the lawlessness spectrum. Are we close to widespread chaos or will the line hold during a night in the total dark? The Manhattan blackout of July 2019 showed we are holding the line for now.
It was a relief to find that New York has not regressed to the point of making our blackouts more of the 1977 variety. But that question will always linger in the back of New Yorkers’ minds, and maybe we should get to a point that it shouldn’t be there at all. How much has to be done to create that city, that country, that world, and will we ever get there? And what is being done to make sure that we don’t lose power during critical summer months?
A relieved city needs those answers.
For about a year and a half, I have commuted to and from my job in Manhattan using an express bus, a more expensive but comfortable coach bus run by the Metropolitan Transit Authority.
Most of the bus drivers who drive these buses hustle to get us through traffic and make good time getting into Manhattan from the Eastern reaches of Queens. A meek or extremely defensive driver is going to fail at driving and express bus, and fail hard.
And that’s been happening recently in the early morning on the QM20 line. One driver I have not seen but only heard about, an older gentlemen, is a slow-paced driver that is content to hang in the slow lane of early rush-hour traffic while his passengers fret about reaching work on time. I have spoken with people who have stopped riding the 6:45 bus because they cannot get to work on time if they ride it. In fact, the 7 a.m. bus routinely reaches Manhattan sooner.
Because the driver of the 6:45 a.m. bus is such a pathetic slowpoke, passengers that used to take that bus now flood to the 6:30 bus. There are now at least three times as many passengers waiting at the bus stop for the bus I take, which means the other stops are all more crowded as well. I used to be able to find a seat all to myself with regularity, now it’s nearly impossible.
Yet still people insist on putting their bags on seats, even knowing that they’ll have to move them at some point. It’s a gamble on their part, they’ll possibly get the seats to themselves if enough passengers decide not to ask them to move. I usually make it a point to make these rude people move their bags, though if they are an exceedingly large person then I will often pass them by because I’m a large person also and then we’re both crammed into our seats seething and miserable. There is one rude fat bastard on my bus line who does this without fail and sits in corpulent luxury every day.
Sometimes I’ll choose people who are polite and thin because I’ll have more room. There’s a man who uses his time on the bus to sketch drawings and I feel camaraderie sitting next to someone interested in the arts, even if I never talk to him.
This past Monday however, there was a mystery man and I felt I had to sit next to him. By mystery man I mean someone who had a black wool hat pulled down all the way over his face. This was not a ski mask (aka balaclava), but just a hat that normally sits on top of the head and over the ears. He had it pulled down all the way over his face, so that his head was just one monolithic orb of woolen darkness.
I was appreciative of the aesthetic and felt a kinship to it. I often wear a ski mask when I perform in bands, and have enough ski masks at home to clothe a paramilitary battalion for a decade. So I sat next to this man. He was a bit spread out but I managed to get comfortable enough and read the news on my work phone. I didn’t want to see the man’s face, wanting his mystery to be kept for all eternity or at least until the weather was warmer and one would have to be psychotic to wear a winter cap. But no, soon after we rolled into Manhattan the man woke up and pulled up his hat revealing the countenance of a middle-aged commuter.
I don’t know where the man departed the bus. I got off at my usual stop at Herald’s Square and made my way downtown, hoping to engage with more of life’s mysteries as the day wore on.