As the presidential race of 2020 is already underway, before the office-holders elected in the mid-terms have even taken their oaths of office, it would be a great time for Americans to demand that the level of conversation be switched permanently to ‘grown up.’ The stakes are very high with the looming possibility of a recession, a bitterly divided Congress and an executive branch in a constant churn. It would be a real treat for a few brave candidates to insist on taking the high road and talking about how their policies will benefit the citizenry.
This will run afoul of the zeitgeist of contemporary politics. Rampant partisanship has created a knee-jerk politics where not only is everyone expected to wear their allegiances on their sleeves, but to be at the most ideologically pure part of the spectrum with blind obedience. Facts that may run counter to one’s argument are “Fake News” or “Hate Facts.” Serious adults don’t use terms like that except to mock those that do.
We’re seeing the worst in tantrum politics and mental gymnastics among both major political parties as the current budget impasse over a border wall continues. Trump’s insistence on a border wall is a clear sign he doesn’t understand the issues, and Democrats are hard-pressed to demonstrate any serious commitment to increased border security or give lie to the notion they want open borders.
Both parties once were able to function and understand nuances of policy. Sovereignty and human dignity are not mutually exclusive. It is inexcusable for Americans to support a porous border and deny our right to a sovereign nation. It is also inexcusable that children would die preventable deaths in the wealthiest country in the world, no matter their circumstances. We are a better country than to let people die of common disease or dehydration in detention centers; we also won’t be a country without strong, enforceable borders—there is no contradiction in those statements.
Let’s all admit that our political opponents are not monsters and that seeing the logic in the other side’s argument is not a betrayal of our own ideals. No, people advocating for stopping family separation at the border are not doing so to create some kind of socialist global utopia just as people advocating for tougher border controls are not trying to reproduce the Third Reich on American soil. These are not staggering revelations to the worlds of adults, but these are gut-punching concepts to hyper-partisan audiences that tend to dominate the public conversation these days.
Future generations will look upon these times as days of decay and decline, when a vacuum in leadership and long-standing myopic public policy exacerbated a fractured society. The values that make our society great can endure even if our institutions crumble, but it means a conscious effort to build new communities for those of us with clear vision and willingness to see beyond the outdated prism of our fraying standards.
We can rebuild communities if we leave the echo chambers of media and engage with the world around us. If we can take anything constructive from the Trump candidacy and record in office, it’s that people respond to frank dialogue and people who stick to their guns. Trump trampled several political sacred cows in his road to the White House—I thought his candidacy was dead when he insulted John McCain before the first primary was held. Have no doubt: Trump’s success in winning office came from his being rooted firmly outside the political establishment. You don’t have to be a fraudulent, vulgar ignoramus to break out of the mold and effectively challenge that status quo. Let the barriers Trump broke down let in a better slate of candidates and activists. There are decent people who hold all kinds of political opinions. Hear them out and be one of them.
Let this be the year you speak your mind and demand honesty and understanding from candidates within your own party. The first step of breaking out of our political rut is to embrace the politics of honesty and change on our own terms.
Demand more from the election of 2020 than we got in 2016. We (hopefully) can only go up from here.
Sid Yiddish is a Chicago performance artist who is running for president as a write-in candidate. He describes himself as a “Lincoln Republican” though his politics are more in line with the Democrats, but you are welcome to write him in on whatever ballot you choose; he’s not picky. He is the only candidate promising to invade Denmark.
Why Denmark? “Because it’s there and because I can,” he said. He has performed in Denmark but did his first show with Danish musicians over Skype for the Chicago Calling Festival in 2009. He travels the U.S. frequently. This Friday, Jan. 22 (2016) will find him in Kansas City, Missouri at the Poetry & Absinthe Open Mic at the Uptown Arts Bar.
Sid Yiddish usually dresses like a kind of mischievous cantor, as if The Rocky Horror Picture show took place in a Catskills summer camp or if Fiddler on the Roof was an avant-garde punk rock opera instead of a Broadway musical. With a prayer shawl and Kittel – a traditional garment worn by orthodox Jewish men and a face mask, he both pays homage to and satirizes Jewish heritage with his appearance. When he appeared on America’s Got Talent, Howie Mandel called him a “Hasidic Lone Ranger.”
A Sid Yiddish performance is always an eclectic ensemble of songs, poems, comedy and compelling noise. Each performance will usually involve some form of Tuvan throat singing, which sounds like it is painful to do and can rattle the uninitiated. He often performs with a band, the Candy Store Henchmen. With connections in various cities, his auxiliary of Candy Store Henchman can be summoned to perform on short notice and very little rehearsal.
[Full disclosure: I have known Sid Yiddish for several years and have performed in the New York City version of his Candy Store Henchmen. I met him through Mykel Board, who had the wisdom to write about Sid much sooner.]
His presidential campaign is his latest effort in reaching out to the world. His platform includes heavy support of the arts. “I believe schools should cut sports from schools and give all their money to the arts.” He would also buy everyone a new pair of shoes and hand out bubble gum with good comics in them, not the shabby comics that have become the standard today.
He has extended his reach through some small acting roles. He appears briefly in a Ludacris video and recently had a bit part in the Showtime show Shameless, which stars William H. Macy. There’s an online petition to make Sid a recurring character on the series.
While he revels in his outsider status, he makes an effort to make each show as interesting and participatory as possible, inviting audience members to join his band and play instruments if they choose, even if that instrumentation consists of banging on a table top or tapping a beer glass.
He’s devised a series of hand signals that instructs the band on what to play. One gesture means to stop, another gesture means a free-for-all, other gestures mean other things. If you play the wrong thing, he doesn’t ask you to change, he just may be a bit more emphatic with his gestures. No two Sid Yiddish shows will ever be the same and he likes it that way.
Sid Yiddish describes himself as a late bloomer and suffers from depression. His past is littered with sad memories of where clinical depression can lead. He hopes his work can reach people and help encourage those who also suffer from the disorder. To him, being a performance artist is a redeeming experience that puts him on a good path and colors his worldview. “It feels like I take LSD without taking LSD,” he notes.
His music and acting takes up a lot of his time and he is interested in going to another audition for America’s Got Talent. “I’m a renaissance man, a Jack and Jill of all trades. No one can put me in a category; you can’t pin me down. But sometimes I’ve felt that I’m spreading myself too thin.”
The world has given up a good bit of the civility and thoughtfulness that was more commonplace when Sid Yiddish was growing up, and he offers himself as a one-man protest against that. Instead of waving his fist at the world, his hand gestures conducts a motley crew making avant-garde punk rock symphony. He can take your rejection; he’s faced it all before and just keeps coming back, serving as a reminder that the act of creation and expression is sometimes all that matters and all you have left.