Being the oddball in the East Village
The greatest rock & roll band that’s ever existed, The Dwarves, were scheduled to play at Bowery Electric, and it had been too long since I’ve seen them. I bought a ticket online and made plans to travel to Manhattan on a weekend, something I rarely do anymore. But this show would be worth it, I was certain.
I made my way to Bowery Electric, which is on the Bowery a short block uptown from where CBGB used to be.
The Bowery has not been itself for a long time now. It was known the world over as a place for bums. It was the Skid Row before Skid Row existed, and served as the template for the down and out sections of town in art, literature, and life.
I would travel to Manhattan when I could as a suburban teenager in the 1980s and 1990s, and going to the East Village was a harrowing experience. The Bowery was full of homeless people selling trinkets and other junk on blankets. Some of the bums were mental patients on medication that just stared into space. Drunks slept in doorways, crack heads begged for money or cigarettes or robbed you. If there was a Bum Olympics in 1989, it would have been held on the Bowery.
Today there are few homeless charities and even fewer flop houses on the Bowery. Fancy hotels and restaurants dot the Bowery now, and apartments that used to rent for a few hundred dollars a month in my lifetime now rent for upwards of $5,000 a month, if they’re available for rent at all.
That the Bowery Electric still exists is short of a miracle. So many music venues fled Manhattan that had Joey Ramone lived he would barely recognize the street that bears his name. Standing outside the venue, I was mistaken for a bouncer as a young woman began handing me her I.D. I waved her inside, telling her I didn’t work there. Maybe I should have asked her for a $5 cover and then treated myself to something at 7 Eleven up the street.
The venue’s Web site said that the show would start at 7 p.m. and seemed to indicate another show was scheduled to start at 10. I hustled and made good time and got to the show to learn that the first band of the night had canceled and that The Dwarves would not be starting to play until 10 p.m., when the Web site had said the show would end. Even in these modern times, the best shows still run on Punk Rock Time.
I set out for a brief walkabout of the East Village and found myself on St. Mark’s Place, where everything is now geared towards tourists or college students. The Papaya King proved a good find; I was one of two customers there at the time and I enjoyed some hot dogs while watching people walk by, most of them much younger and none of them looking like fellow travelers in the neighborhood for a punk rock show.
Across from Papaya King, the building that once housed the iconic fashion store Trash and Vaudeville is shuttered and under renovation. I would go there all the time years ago, not to buy things, but to put up flyers for upcoming shows that Blackout Shoppers would be playing. The store is still in business nearby on East 7th Street, but seeing it pass from its longtime location on St. Mark’s was another illustration of how change has rapidly come to this part of the city.
On 2nd Avenue between 7th and 8th Streets there is still a vacant lot where three buildings were destroyed in a gas explosion in 2015. There were a few curiosity seekers milling about the sidewalk where a chain-link fence keeps people from the lot. The lot is covered in gravel and there were two bouquets of flowers there for the two people killed in the explosion.
I made my way back to Bowery Electric and started running into people I knew. I am not as active on the music scene as I used to be, but I have a lot of friends I made over those years and meeting up with them at shows is always fun. I made my way downstairs where the main stage is set and found a good spot on a low balcony to see the show.
The Dwarves did not disappoint. They played their entire The Dwarves Are Young And Good Looking Album straight through and then played a lot their most beloved songs. Original guitar player HeWhoCannotBeNamed joined them and with Nick Oliveri on bass they can branch out into some of their more aggressive stalwarts. The Fresh Prince of Darkness shreds on lead guitar. Lead singer Blag Dahlia is a sinister master of ceremonies who wears a shit-eating grin. A Dwarves show is a celebration of the nihilistic aggression that made punk rock so phenomenal, but with a humorous twist that prevents anyone from trying to take things too seriously.
At the end of the show I met some more good music friends and made my way upstairs to use the bathroom before I headed home.
When I got upstairs, there was a different scene. The well-dressed hipsters and well-to-do young people with good jobs where in command of this part of the venue. As I stood in line to use one of the single-use restrooms, I decided to stretch my back since I had been on my feet so long. I bent over a bit to put my hands on my knees to straighten by back and the sharply-dressed guy who was next in line took a few steps back, thinking I was getting ready to throw up all over the floor. I thought about making some gesture to assuage his fears, and let him know that I am only a sober middle-aged punk rock fan with a bad back, but why bother? If you’re in the habit of wearing pressed slacks and dress shoes to a bar on the Bowery, maybe you should live in fear of being vomited on.
On my way out, I stopped to shake Blag Dahlia’s hand and congratulate him on a great show. He thanked me and I left into the glittery night of the East Village for the long trip home.
Being a hunter on a vegan farm sanctuary
This past weekend I went to a wedding that was held on a vegan farm animal sanctuary. The farm sanctuary is near Woodstock in upstate New York (“upstate” is technically anywhere in New York that is north of the five boroughs though people who live in Rochester or Niagara Falls might beg to differ—Albany might be a more suitable line of demarcation). This was not in the suburbs, but in a rural area where the crowded noise of the city does not reach until we bring it with us.
The bride in the wedding is an earnest young woman whose love of animals knows almost no bounds. I was bound to respect her wishes, though I’m not sure my belt and shoes were not leather. I thought it best to tread close to violating the sanctity of veganism rather than risk dressing like a hippie at a friend’s wedding. The groom was Joey Steel, one of the hardest working and intense men the punk rock scene has ever known. His progressive politics make Jello Biafra look like Ted Nugent.
A friend and former coworker who is a vegan was delighted that I was going. She sponsors a pig there named Julia and asked me to send her a photo.
We arrived a bit on the late side, as driving there meant contending with traffic and a hotel that said we could check in early and then said we couldn’t. As we pulled into the farm sanctuary, a woman came out of a small guard house to greet us. We told her we were going to the wedding and she told us where to go, asking us to drive slowly and be careful of children or animals that might wander onto the dirt road.
I did not mention to the woman that I would every gladly kill and eat every animal on the sanctuary or that she was missing out because chickens, cows, and pigs are all very delicious. That would be rude to say, but I could not help thinking it as we rolled past tasty-looking animals. My wife learned from speaking to some of the staff that the eggs that the chickens produce on the farm sanctuary are cooked and fed back to the chickens, in a strange horror show of avian cannibalism.
After the ceremony, the bride and groom invited guests to take a tour of the facility, which resembled a farm in many ways. The animals there have come from various farms and people can often go into their enclosures and pet them. I got to feed a very large cow named Elvis.
When the tour reached the pigs, I asked the tour guide which pig was Julia the pig. The tour guide said she did not know of a pig named Julia there, that perhaps I was confusing their animal sanctuary with another one. Apparently this place has not cornered the market on hippie vegan farm sanctuaries where people pay for farm animals they can’t eat. Who knew? I was sure that this was the place though and sent my friend a photo of several of the pigs to ask if one of them was her Julia.
I hope no bad fate has befallen this pig. I hope that she really exists and is not just a scam to wring money out of kind-hearted vegans.
It is a sign of comfort and stability that people in our society can not only be vegans but invest in livestock that will never be eaten. In many parts of the world, people cannot afford to not eat their animals or the milk or eggs they produce. An abundance of food and reliability of agricultural yield are great benefits of the First World no one wants to give up. Even at my lowest points of unemployment and poverty, I never thought starvation was a remote possibility.
One of the reasons I got into hunting was because I believe that if you eat meat, you should be willing to hunt. You should know first-hand about the spilling of blood that puts food on your plate. Death is part of life; to sanitize our experience with death is to provide a false version of life. Vegans and hunters are similar in this way: they both acknowledge that the central defining act of eating meat happens not in the presentation on the plate, but on the floor of the forest or the slaughter house.
The Catskills are inspiring and my wife and I are grateful to have been invited to such a great wedding in such a beautiful place. And as much as I enjoy hunting, I can be a vegan for a few hours for my friends.
Watching New York Pass by in Brooklyn
I’m standing outside of Hank’s Saloon on the corner of Third Avenue and Atlantic Avenue in downtown Brooklyn on the Saturday before Halloween. I’m there to play some punk rock songs as part of Green Hell, the Misfits cover band that has somehow managed to have a few reunion shows this year.
Hank’s Saloon is a ramshackle dive bar that still hosts live music. It’s a miracle that the place is still standing as Brooklyn’s booming real estate market has created an almost non-stop construction zone all around it. There was once a Walgreen’s across the street. Now there is a luxury high rise, The Hendrik, being constructed. A two-bedroom apartment in the Hendrik will cost you nearly $2 million dollars if you want to slum it; the four-bedroom penthouse will cost about $4 million. The developers had the sense to list it as being on Pacific Street since Atlantic Avenue, the larger thoroughfare, doesn’t have the sterling ring to it.
Farther up Atlantic Avenue is The Barclays Center where the Brooklyn Nets and the New York Islanders play. The Barclays Center was the death knell for Brooklyn culture for a lot of New Yorkers. Local artists and musicians were among those who fought tooth and nail against this stadium, which is a big ugly mark against the city and exhibit A in the corrupt influence of large developers on government. So far I’ve avoided setting foot in that place (I’m a Knicks and Rangers fan anyway).
Because it’s Halloween weekend, lots of people are coming by in costume. One such patron at Hank’s is a man dressed in brown with what look like several blond wig pelts hanging from his body and a face mask and head piece that look as if a giant tongue has replaces his head. As he enters Hanks, someone from a car stopped at the red light on Atlantic and Third shouts to him, “What is your costume?” He doesn’t answer because he’s not sure himself.
“You’re getting a lot of attention from motorists,” I tell him.
“Yes I know,” he says. “I took the subway here and people didn’t know what to do.”
“Are you a giant tongue?”
“Yes, that’s exactly what I am. I don’t believe in being any existing character.”
He said he initially had some kind of Donald Trump costume in mind, thus his plentiful supply of artificial blond hair and emphasis on a large mouth. But he decided to do something completely unique instead. I ask him to pose for a photo outside of Hank’s and he obliges, crouching down and doing a strange dance like you’d expect a giant tongue-man to do.
There are still plenty of skels around to testify to the traditional low desirability of this area. Atlantic Avenue still houses several Islamic bookstores and places of worship. A few of these Mohammedans were in a heated discussion as I walked to get something to eat with Filthy Phill, lead singer of World War IX, one of New York’s finest punk bands. He used to live not far from the area in Park Slope, but hardly recognizes anything now. We were looking for a Halal cart for some dinner before the show, but didn’t find one and settled for Shake Shack; it was delicious.
We got back to Hank’s and the show started. People performed in costume and everything was fun. It was not a large gathering but a lot of longtime friends where there and the music was good. It was great to see many of my music friends.
Green Hell forgot to bring set lists but it was no matter. We figured out what to play and the crowd loved singing along to the Misfits covers. By the end of the night, people were happy to have seen us and we were glad to have played our two shows in the city for some appreciative friends and fans.
We loaded up my pickup truck with gear and brought it to Skum City’s rehearsal space on the Lower East Side. I dropped a truck full of friends on the Upper East Side before driving home. One of them asks me if I miss hauling people and equipment around the city at all hours of the morning. I do and I don’t. I can’t do this every weekend of course, but if I go a year without doing some music in some way I just don’t feel right. I told friends of mine on tour one time: The only thing worse than being in a thankless punk band is not being in a thankless punk band.
I got home at nearly four in the morning exhausted but extremely grateful that there are still places people can celebrate art and music, even among the construction of a future city we won’t recognize. We can go back to our regular lives a little better. As long as there is even some small critical mass of us, all is not lost.
RAMONES and the quest for Queens’ artistic respect
The Queens Museum is a site of pilgrimage for punk rock fans from all over the area thanks to its Ramones exhibit, which is open until July 31.
I made it there not long ago one weekend after seeing friends posting photos of their visits there over social media for the last several months. It is a fine exhibit, one long overdue in the borough that gave the pioneering punk rock band to the world. I made a point to wear my Norman Bates & The Showerheads t-shirt when I visited, because one great Queens punk band deserves another.
The exhibit is colorful and brief. It’s only two modest-sized rooms and a screening room. I went there with my family, which means that a good deal of our time was spent stopping our two and half year old twin girls from banging Tommy Ramone’s snare drum. We didn’t have time to really take all of it in, maybe we should have gotten a sitter.
But as rushed as our walk through the exhibit was, it was important to be there. Queens is often overlooked in the pantheon of New York City artistic greatness. But Queens has given the world not only the Ramones but Johnny Thunders, Run-DMC, Simon & Garfunkel and more. Queens doesn’t get the respect it deserves – all the outer boroughs carry with it that basic desire to poke their finger in the eye of the city being defined as Manhattan.
One thing that the contemporary adoration of the Ramones tends to obscure is that they were grossly underappreciated when they were a functioning group, at least here in the U.S. I remember going to see them in 1989 in Connecticut and they were playing at Toad’s Place in New Haven, an admirable music club but a small venue (it was a 21+ show and I had no fake I.D.). When I finally saw them in late 1995, they were playing a larger venue, but as part of a shitty alternative radio show, headlining but sharing the bill with the unworthy likes of Better than Ezra and Silverchair (the oft-hated Silverchair were actually very good to be honest).
Queens is fully embracing its Ramones fame. Murals of the Ramones now grace Forest Hills. There are plans to rename the intersection next to Forest Hills High School Ramones Way.
The Ramones who moved to the East Village in the 1970s could not afford to live there today. While the Joey Ramone Place street sign is the most stolen in the city, the area looks nothing like it did when the Ramones first played CBGB in 1974. The refrain is a familiar one: New York is no longer affordable to the artists who made New York’s art scene famous. The artists I know don’t talk about New York, they speak of Philadelphia, Buffalo, or Berlin. New York’s East Village is a victim of its own success in a lot of ways. I’m not ready to give up on New York just yet, but it’s easy for me to say that from Flushing.
To be a punk rock fan in New York City means to constantly wrestle with nostalgia. There is a rich history to celebrate, but nostalgia can be a trap as much as a motivator.
New York continues to produce great punk bands. You may have to travel farther away from Manhattan and the trendy parts of Brooklyn to see them, but great local bands, the Ramones of tomorrow, are playing somewhere in Queens today.
Chasing down the last vestiges of punk rock youth
The other night I left home to walk to the Parkside Pub in Whitestone, Queens to see an excellent hardcore punk rock show. I love punk rock music and this show was so close it took only a few minutes to walk there. I have loved punk rock for a long time and knew some of the bands that were playing from playing with my own band, Blackout Shoppers (currently on hiatus).
It was late and I didn’t have a lot of time to spend there, but as I set out I noticed an envelope that needed mailing, so I figured I could drop it in a mailbox on my way to the show.
Publisher’s Clearinghouse is a shitty lottery that only requires you mail back a form. Of course my chances of winning are next to zero, but instead of spending two bucks on Powerball I spend only the price of a stamp. That’s a very low-cost form of gambling, though it does come with the added humiliation of having your name on a Publisher’s Clearinghouse envelope.
I didn’t run across a mailbox until I got the block that the Parkside Pub was on. How can I show up at a hardcore punk rock show with a Publisher’s Clearinghouse envelope? Would that make me a horrible old poser? I had no choice. Those Publisher’s Clearinghouse millions are destined to me mine. If I win enough money, I’ll spend part of my fortune on starting a new non-profit arts venue in New York City that will feature punk shows. As I neared the show, I hoped no one would see me drop the sweepstakes envelope into the mailbox. No one did, or at least had the kindness not to call me out on it.
It was glad to see the show was packed. There were people there old and young and the bands were excellent. It was great to see friends from many different bands there. Some of them are my age or even older and many of them also have kids.
Being a parent with serious bills to pay and a job that requires long hours means I don’t get to very many concerts anymore. So any time I can steal away for a few hours and subject myself to the full blasting fury of as much aggressive music I can take.
The show at the Parkside did not disappoint. The bands were excellent. And even if they hadn’t been, it was worthwhile to see people you haven’t seen in a while. There are a lot of people that I know and love to see but only see them in the context of going to shows.
There are people like my friend Pete, who I ran into at the show. I have known Pete for years but don’t know his full name and couldn’t tell you what he does for a living. I’ve seen him at numerous shows for my band and others. I’ve spent hours talking to him at bars and on sidewalks outside of music clubs. I know he lives in Douglaston, Queens and used to have a girlfriend named Nicole and he loves punk and metal music, and that’s all I need to know. We love the music and the scene around it and so it doesn’t matter what we may or may not have in common.
Because while the band one plays in may not last, the friendships and the love of music will endure. People have been writing punk rock’s obituary since the 1970s. It’s still here. And as long as I can stand on my feet, I’ll make it to shows from time to time. No regrets. See you there.
Brooklyn’s Rapid Cultural Death Claims Two More
It has taken Brooklyn less than a decade to achieve the kind of overpriced cultural rot that normally takes a generation in other places.
There have been some very large events that illustrate this: the demolition of the beautiful Prospect Heights neighborhood to build the ugly Barclays Center being a landmark event that marks a shameful chapter in city history.
Brooklyn wears its shame again as two very excellent music venues have found it necessary to close their doors. The Trash Bar and The Lake are two places where I’ve seen and played some of the best shows ever. Their closing demonstrates how lousy, overrated and overpriced Brooklyn has gotten.
With the rapid rise of real estate in Manhattan, the outer boroughs became a refuge for the arts, and many music venues moved or set up in Brooklyn.
The Trash Bar quickly became Brooklyn’s home for punk rock shows that were chased out of Manhattan. Many of the great traditional punk shows that had made their place in Manhattan were now at the Trash Bar: Murphy’s Law’s St. Patrick’s Day, Halloween and New Year’s Eve shows were held at The Trash Bar. When our band, Blackout Shoppers, had its 10th Anniversary show, it was at The Trash Bar. Some of our best shows were there. We were honored to play a tribute show to Norman Bates and the Showerheads’ J. Garino there that included a reunion of The Six and Violence. The Bullys held their Johnny Heff tribute shows there after they lost their regular spot in Manhattan. For many years a picture of Johnny Heff, the Bully’s guitar player who was a New York Firefighter who lost his life in the September 11 attacks, looked over the stage.
Also in Brooklyn, at an address the owners prefer not to publish, is The Swamp, formerly known as The Lake, formerly known only by its street address. Not far from the Montrose stop of the L train, The Swamp is just a few blocks away from a major Brooklyn thoroughfare but in a quiet-looking, industrial area. It serves as a great example of how punk rock has been kept alive by DIY spaces. The Swamp was basically a very large apartment that was run as a venue by people who lived there. They built a stage and bleacher seating in a room that served as a performance space. It was a great punk rock venue like no other. When my wife and I got married, we threw a wedding celebration there that featured some of our favorite bands. Less than a year later, Blackout Shoppers held an album release concert there to mark the long overdue completion of our second album. The Swamp also hosted reggae and other shows and it hosted combined punk and reggae shows that packed them in. It was an honor to play shows there and it will be sorely missed.
Brooklyn stopped being an “up and coming” borough nearly 10 years ago. It’s now an overrated playground for the wealthy and clueless. There are a few artists and enclaves still fighting the good fight, but it’s a losing battle against the tides of money and history.
We will welcome you all to Queens and the Bronx.
Brooklyn Isn’t Safe for Rock & Roll
Last Friday, my band Blackout Shoppers was fortunate enough to be one of several bands to play for the last time at The Trash Bar. A great music venue, The Trash Bar has been a great place to see a show. They have a great sound system and manage to bring a wide array of music there.
Trash Bar is the kind of live music venue that used to thrive in Manhattan, and now it’s found itself priced out of Williamsburg. It’s the latest victim of the city’s own success and Brooklyn’s transformation from downtrodden borough to one of the most expensive places in the world to live.
The Williamsburg section of Brooklyn used to be a bad place. Frank Serpico was shot not far from the Williamsburg Bridge. Apartments in that building are now listed for sale at up to $1 million.
Williamsburg is where young artistic types began moving to at the end of the last century because space was cheap and the area was close to Manhattan. But creative young people can’t afford to live in the popular parts of Brooklyn anymore. The kind of people more likely to move to these areas now are wealthy people who had traditionally occupied the more upscale parts of Manhattan. A recent episode from the TV show Broad City captured this perfectly. One of the show’s main characters is chatting with three high-priced lawyers. They all tell her that they currently live in Murray Hill (a high-priced part of Manhattan) but that they are all moving to Williamsburg.
It follows a familiar pattern, a pattern we saw in the East Village and Lower East Side of Manhattan: A run-down area attracts enthusiastic artists and musicians because living is cheap. Those artists make the area desirable, which raises property values. Those property values drive away the artists and their venues that began the rejuvenation.
While it was the place that music venues fled to when Manhattan became too overpriced, Williamsburg is losing the art and music that made it attractive.
Bushwick has become the new Williamsburg, although the pace of gentrification seems to speed up in some respects. Prices on apartments start to rise in advance of the vanguard of gentrification that makes a neighborhood safe. Williamsburg has been relatively safe for a while now, but Bushwick is still more dangerous with higher crime.
This kind of gentrification has been going in the city for years. Since the time of the Dutch settlers, this has been a city in flux. Nothing stays for too long. The churn of commerce and change is constant. The city wouldn’t thrive otherwise.
It’s true that the city is losing some of its trademark characteristics and grit. No doubt part of Big Apple lore is lost forever. It’s not all bad though. I’m glad I can walk down the Bowery without being afraid for my life, though I’m sad that there aren’t as many music venues there.
Williamsburg been overpriced for years, but I didn’t think that Trash Bar would get priced out of existence in a decade. It brought in big crowds and even catered to the obnoxious yuppies and hipsters with some of its live music and its karaoke. The show we played Friday night was well attended. The bands played great and it sounded excellent. Everyone left it all on stage and we walked out with our heads held high.
And that’s all you can do as a New Yorker. Change is never going to stop, so don’t let it stop you. There will be new places to make and see music. The pioneer spirit that brought the Dutch to the New World and brought rock clubs to formerly desolate and dangerous parts of the city can’t be killed off, it’s just moving to a new neighborhood.
Mistaken for an Uber
Hank’s Saloon in Brooklyn was hosting a punk rock show celebrating the birthday of Mike Moosehead, one of the city’s most talented musicians. I was not going to miss it, even though the weather was horrible and the city was slow to plow the roads.
Driving cautiously over roads and highways caked with snow that had been churned by traffic to a grim grey slurry, I eventually found my way to Hank’s. I pulled up to the traffic light outside the hearty saloon and prepared to make a turn to look for parking.
Some young men outside the bar looked towards my truck and I thought I recognized them. One of them at least looked like a guy I know from playing in punk bands. They looked like they recognized me and approached me.
“Uber?” said the young man.
“No, sorry,” I said, feeling stupid, though I’m guessing he felt dumber. The cars that are Uber cars are usually newer and have a very clear and recognizable ‘UBER’ or ‘U’ sign in their window.
“Does Uber have pickup trucks?” I asked. The young man didn’t seem to know.
Uber, the online taxi service that allows users to summon and pay for cabs entirely online and without cash, does have pickup trucks, though they are rare in New York.
Being the resident old man in the office where I work, I do not have the Uber app on my smart phone. My wife has used it to secure a ride for her mother when the weather locked our truck under a sheet of ice a while ago. It’s a useful thing to have because you can take the mystery and risk out of whether or not you’ll get a cab. I rarely take cabs and I don’t trust Uber.
Years ago, when I spent more time drinking into the early hours of the morning in bars far from home, I wound up taking a lot more cabs. I enjoyed talking to the drivers, who are usually from a different part of the world, about where they are from and life in the city. I once met a Muslim driver from Pakistan with a long beard and traditional garb who had become an American citizen. He was heartfelt in his frustration at how extremists had come to define his religion in his adopted home.
The migration to online taxi hailing means trouble for New York’s yellow cabs, and the yellow cab drivers have only themselves to blame. Every New Yorker can recount a litany of horror stories about the difficulty in hailing and getting decent service from yellow cabs.
Yellow cabs will cherry pick who they take. Even though this is illegal, they will drive around with their ‘out of service’ lights on to avoid regulations. I have successfully hailed a yellow cabs only to have them drive away when they thought I had too much luggage. Drivers have been known to overcharge, tamper with meters, and otherwise cheat and nickel and dime their fares.
Online taxi service is a concept whose time is long overdue. We can rent cars online and buy plane and bus tickets online. There’s no reason calling a cab online shouldn’t be commonplace for everyone, and in a few short years I have no doubt it will be standard operating procedure.
Where Uber goes wrong however, is in its pricing. It runs pricing on a strict supply and demand basis and gouges its prices through “surge pricing,” so when demand goes up, pricing can go through the roof. Because the service is not cash-based and is charged to the customer’s credit card, people can be charged exorbitant amounts of money for what would normally be an inexpensive cab ride. Recently Uber quickly raised its prices in Sydney, Australia during a recent terrorist hostage standoff. The fare algorithm that Uber uses does not adjust for human decency.
Like other New York traditions, hailing a taxi on the street is one that is fading. Nostalgia will keep it alive for a good while longer, but technology has found a more reliable way to get people in and out of cabs. Like other New York traditions, there is good and bad about its loss, but it’s a loss nonetheless.
Banish Yourself to Punk Island
This Saturday is the Punk Island 2014 festival in New York City. It will feature almost 100 bands on seven stages all for FREE on Staten Island.
I have had the good fortune to have been a fan of punk rock music since I first heard ‘Anarchy in the U.K.’ in the eighth grade. And 10 years ago I decided I would take a stab at being in a punk band of my own and started a band called Blackout Shoppers.
Full disclosure: our band is playing Punk Island and has played the festival several times, and we are friends with several of the principal organizers. But this isn’t world of laminated back stage passes and cushy green rooms. In the world of DIY punk rock music, the back scratching and mutual admiration dick sucking doesn’t earn you big rock and roll money; it maybe gets you a space on a floor to sleep on, and maybe a free beer.
The Punk Island festival for the first several years of its life was held on Governor’s Island. Governor’s Island is an excellent place to visit. A former Army base, airfield and Coast Guard base, Governor’s Island boasts lots of great historic sites and rarely-seen views of Manhattan and industrial waterfront Brooklyn.
Governor’s Island became off limits in the wake of the damage done by Superstorm Sandy and more recent park development by the city.
So last year, Punk Island moved to Staten Island. It takes place on a small strip of land and pier right near the Staten Island Ferry terminal. It was a long, hot day but it was well run and everyone had a good time. It wouldn’t be a punk show without a few fights and problems. But last year only one person went to the hospital and no one went to jail; that’s a win-win for a punk rock festival.
People have been fighting over what the term Punk Rock means since 1975. Punk Island has always featured a large cross section of punk rock music. There are “crusty punk” bands with members who my live as or at least appeal to the gaggles of itinerant homeless-by-choice youngsters who smell bad. There are beat-down hardcore bands that buy tattoo ink by the gallon. There are “pop punk” bands who may sound like Green Day though they probably don’t want you to tell them that. Punk Island even has a Brooklyn TransCore stage because trannies from Brooklyn have created their own punk scene. More power to them all.
Our band has agreed to help provide equipment for the Dispatches from the Underground stage, which we’ll be playing. So I will be there bright and early by 7 a.m. It will be a day baking in the sun with my ears ringing from the sounds of a multitude of punk bands. By noon I will be a disgusting miasma of sweat and coagulated sunscreen. It will be great. As much as my inner adult voice tells me to be more serious about life, and that punk rock is a young man’s game, I find it hard to tear myself away, try though I might.
Punk Island is a very short walk from the Staten Island Ferry Terminal and it’s free and for all ages. It it will have all kinds of punk bands there. You have no excuse not to go.
Hell Just Got Louder; RIP Jeff Hanneman
The man who made thrash thrive and kept rock music’s Satanic side alive has passed. Jeff Hanneman, one of the founding guitar players of SLAYER, passed away May 2. He had been in bad health for the past few years after contracting a rare illness from a spider bite.
It is not only the state of heavy metal music that wouldn’t be what it is today without Jeff Hanneman. Anyone who listens to metal, punk, hardcore or any variation thereof owes a big debt of gratitude to Hanneman, who made thrash metal faster, harder and louder than it ever was before.
Slayer is the thrash metal band that never turned away from its roots, never wrote an embarrassing love song, never apologized for singing about evil, and never gave up. While the more popular heavy metal bands of the 1980s were wearing makeup and buying hair spray futures, Hanneman was writing amazing songs that were fast and furious from beginning to end. His songs’ subject matter included necrophilia, Nazi war criminals, Satanic blood sacrifices, and other things that were evil and a lot more interesting than weeping about girls.
You remember how every heavy metal band used to have at least one slow, sappy ballad on every record? Slayer has none of those. Remember in the 1990s how heavy metal bands cut their hair to try to fit into the alternative or grunge scenes? Not Slayer.
In the 1980s, the punk rock and heavy metal scenes often did not mix. A punk rocker would never go to a heavy metal show and metalheads were likewise required to hate punk. Slayer changed that, and Jeff Hanneman was leading the charge.
Hanneman was a punk rock fan first and gravitated to metal because he wanted to play more blistering guitar solos than the punk genre allowed at the time.
For Hanneman, the divisions that fenced in the various genres of aggressive music were arbitrary and false, and he shredded through them with gusto. When Slayer put out an album of cover songs, they weren’t classic rock songs or tribute to popular groups of the day; they were mostly hardcore punk covers from bands that were little known at the time.
You’d rarely see a metal musician wearing a punk rock t-shirt until Jeff Hanneman did. And if Hanneman did it, you couldn’t argue it wasn’t heavy metal. He opened up aggressive music in that way and helped popularize the many great crossover bands that tread the line between punk rock and heavy metal.
[Author’s Note: For the past decade, I have regularly brought deviled eggs to parties and family gatherings and they have become quite popular among family and friends. My deviled eggs are called Double Satanic Deviled Eggs, and every time I make them, I must at some point listen to SLAYER.]
Matthew Sheahan 
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